Surykant Shinde's ' "Sod Hari Jaude Mala" was released on its scheduled release date, October 21, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kamlesh Jadhav's "Mathala Gela Tada Vol 2" album is number 8 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Sod Hari Jaude Mala is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sod Hari Jaude Mala by Surykant Shinde to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tari Kalshi Nalen Laga | K. Ganesh Kumar | F♯ Major | 8 | 2B | 127 BPM | ||
| Chham Chham Tor Payal | Satish Das | B Minor | 8 | 10A | 140 BPM | ||
| De Gn Radha De Gn Ghogdi | Anand Shinde | G Major | 5 | 9B | 109 BPM | ||
| Akhira Janama Kandiba Paain | Md.Aziz | B♭ Minor | 7 | 3A | 83 BPM | ||
| NAND JI NO LALO KANUDO | Nidhi Dholkiya | C Major | 5 | 8B | 117 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Bada Badua Ho | Subas Das | B Minor | 9 | 10A | 195 BPM | ||
| Nirop Gheto Aata | Jaywant Kulkarni, Mallesh | B♭ Minor | 7 | 3A | 80 BPM | ||
| Bhimjayanti Ali Khari | Surykant Shinde | E Minor | 7 | 9A | 108 BPM | ||
| Paha Manjula Majhya Bhimrayacha Mala | Vitthal Umap | B Minor | 6 | 10A | 83 BPM | ||
| Tere Darshan Karange Saari Raat | Narendra Chanchal | D Minor | 6 | 7A | 130 BPM | ||
| Sod Hari Jaude Mala | Surykant Shinde | E♭ Minor | 9 | 2A | 97 BPM | ||
| Maan See Yaar Ameer Te | Ravinder Grewal, Surpreet Soni | F♯ Major | 6 | 2B | 134 BPM | ||
| Chandini (Sambalpuri Album : Bhal Bhal Ta) | Old Sambalpuri | G Minor | 8 | 6A | 138 BPM | ||
| Charcha Hori Balaji Hariyane Mein | Narendra Kaushik | F♯ Minor | 10 | 11A | 88 BPM | ||
| Ratiki Jadi Lagena Bhala | Barun Mishra | A♭ Minor | 7 | 1A | 157 BPM | ||
| Amba Majhi Khelu Lagali | Surykant Shinde | B♭ Major | 6 | 6B | 118 BPM | ||
| Mala Baai Jayachn Mathura Bazara | Milind Shinde | A Minor | 5 | 8A | 104 BPM | ||
| Jhini Jhini Odhani | Seema Mishra, Mukesh Bagda | C Minor | 8 | 5A | 132 BPM | ||
| Kali Mor Maya Ho | Dukalu Yadav | F Minor | 6 | 4A | 130 BPM | ||
| Tujha Premacha Bahana | Chandrashekhar Gadagil | B Minor | 7 | 10A | 105 BPM | ||
| Pahada Re Pahada Ghata Gaan Pahada | Namita Agrawal | G Major | 8 | 9B | 163 BPM | ||
| Tore Baje Paijana Bake | Raju Patel | B Minor | 7 | 10A | 145 BPM | ||
| Jyane Premane Jinkle Jaga | Anand Shinde | D♭ Major | 6 | 3B | 157 BPM | ||
| Kalliare Tu Mora | Bhikhari Bala | F Major | 5 | 7B | 139 BPM |