F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ)'s '歌曲集「カリグラム」 VI. セミくらいには' had a release date set for March 31, 1999. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in プーランク歌曲集全101曲, so we believe that "歌曲集「カリグラム」 VI. セミくらいには" is a single. Based on our statistics, 歌曲集「カリグラム」 VI. セミくらいには's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 歌曲集「カリグラム」 VI. セミくらいには by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: II. Thème | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 0 | 10B | 67 BPM | ||
| Chanson et passapied - Instrumental Version | Daniel Sanchez | G Major | 1 | 9B | 83 BPM | ||
| Duo for Clarinet & Piano in E-Flat Major, Op. 15 | Norbert Burgmüller, Bettina Aust, Robert Aust | D♭ Major | 1 | 3B | 139 BPM | ||
| Ibert: Flute Concerto: II. Andante | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle-Orchester Zürich | D♭ Major | 1 | 3B | 54 BPM | ||
| Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
| ノヴェレッテ ハ長調 | F. プーランク, トウキョウ・ウィンズ, 赤坂達三(クラリネット), 岩佐和弘(フルート), 和久井仁(オーボエ), 小川正毅(ホルン), 藤田旬(ファゴット) | C Major | 1 | 8B | 73 BPM | ||
| Oscher: Rapsodia latina: I. Guajira | Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 2 | 7A | 78 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | B Minor | 1 | 10A | 103 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| ノヴェレッテ 第2番 変ロ長調 | F. プーランク, サクソフォーン・カルテット・アテナ, 塩安真衣子(サックス), 江川良子(サックス), 冨岡祐子(サックス), 平賀美樹(サックス) | A♭ Major | 0 | 4B | 71 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| Csárdás (arr. K. Smith for flute and piano) | Vittorio Monti, Kenneth Smith, Paul Rhodes | F Major | 1 | 7B | 78 BPM | ||
| Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | B Minor | 1 | 10A | 103 BPM | ||
| Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
| Piano Concerto in E-Flat Major, Op. 4, P. 229: II. Andante moderato | Franz Danzi, Munich Chamber Orchestra, Nareh Arghamanyan, Howard Griffiths | B♭ Major | 0 | 6B | 106 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: III. Allegro con fuoco | Francis Poulenc, Sabine Meyer, Oleg Maisenberg | D♭ Major | 1 | 3B | 161 BPM | ||
| Liebster Jesu, wir sind hier, BWV 731 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis, Martyn Brabbins | E♭ Major | 0 | 5B | 73 BPM | ||
| Roussel: Bacchus et Ariane, Suite No. 2, Op. 43: Prélude. Ariane dort (Andante) | Albert Roussel, Georges Prêtre, Orchestre National De France | F Major | 0 | 7B | 90 BPM | ||
| Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Andra Dārziņa, Urban Camerata | C Major | 1 | 8B | 135 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | B Minor | 1 | 10A | 103 BPM |