Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet's ' "Violin Concerto No. 9 in C Major, Op. 17: I. Moderato" was released on its scheduled release date, January 6, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Rode: Violin Concertos Nos. 1, 5 & 9". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Violin Concerto No. 9 in C Major, Op. 17: I. Moderato's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Concerto No. 9 in C Major, Op. 17: I. Moderato by Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
| Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
| Arabesken: No. 12, Introduction and Polonaise | Carl Bohm, Miki Tsunoda, Benjamin Martin | D Major | 2 | 10B | 123 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
| Perpetuo Mobile From Little Suite, No. 6 | Gregory Harrington | D Major | 4 | 10B | 162 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Daniel Lozakovich, Mikhail Pletnev | F♯ Minor | 1 | 11A | 104 BPM | ||
| Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
| Cello Concerto in D Minor: II. Intermezzo: Andantino con moto - Allegro - Presto | Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 0 | 10B | 168 BPM | ||
| 24 caprices en formes d'etudes: No. 19 in E-Flat Major | Pierre Rode, Axel Strauss | B♭ Minor | 1 | 3A | 86 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro | Joseph Haydn, Quatuor Arod | G Major | 2 | 9B | 102 BPM | ||
| Sonata in G Minor, "The Devil's Trill", B.g5: 2. Allegro | Giuseppe Tartini, Yu-Chien Tseng, Rohan De Silva | G Minor | 4 | 6A | 95 BPM | ||
| Every Violinist's Guide - 18 Traditional Etudes (First Recording): No. 17 | Pierre Rode, Steven Staryk, Kenneth Gilbert, Adela Kotowska, Eloise Niwa | C Minor | 1 | 5A | 115 BPM | ||
| Fiocco: Harpsichord Suite No. 1: X. Allegro (Arr. for Violin and Piano by Arthur Bent and Norman O'Neill) [from "24 Pièces de clavecin", Op. 1] | Joseph-Hector Fiocco, Itzhak Perlman, Samuel Sanders | G Major | 3 | 9B | 134 BPM | ||
| Carmen Concert Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Violin Concerto No. 2 in G Major, Op. 13: II. Adagio | Friedrich Seitz, Takako Nishizaki, Terence Dennis | D Minor | 3 | 7A | 91 BPM | ||
| Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
| Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 82 BPM | ||
| 24 caprices en formes d'etudes: No. 7 in A Major | Pierre Rode, Axel Strauss | G Minor | 2 | 6A | 116 BPM | ||
| Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
| 24 caprices en formes d'etudes: No. 5 in D Major | Pierre Rode, Axel Strauss | D Major | 1 | 10B | 93 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: III. Andante (Live) | Georg Philipp Telemann, Quantz Collegium | B♭ Major | 2 | 6B | 154 BPM | ||
| Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM |