Rodelinda / Overture: Overture by George Frideric Handel, Il Complesso Barocco, Alan Curtis Song Details

George Frideric Handel, Il Complesso Barocco, Alan Curtis's ' "Rodelinda / Overture: Overture" was released on its scheduled release date, January 1, 2005. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Simone Kermes, Marijana Mijanovic, Steve Davislim, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis's "Handel: Rodelinda" album is number 1 out of 64. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Rodelinda / Overture: Overture's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Rodelinda / Overture: Overture by George Frideric Handel, Il Complesso Barocco, Alan Curtis to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -17.185 dB
Acousticness: 95%
Danceability: 46%
Energy: 31%
Instrumentalness: 86%
Liveness: 28%
Loudness: 71%
Speechiness: 4%
Valence: 62%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	1	6A	82 BPM
Le Messie, symphony: Grave Allegro Moderato	George Frideric Handel, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Jean Nirouet, Alexander Stevenson, Philip Langshaw	D Major	3	10B	107 BPM
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro	Arcangelo Corelli, Jordi Savall, Le Concert Des Nations	D♭ Major	3	3B	133 BPM
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau	Jean-Philippe Rameau, Teodor Currentzis	A♭ Minor	1	1A	116 BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	F Major	1	7B	71 BPM
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles"	Jean-Philippe Rameau, Teodor Currentzis	F♯ Minor	3	11A	98 BPM
Adagio in F, H.XVII No. 9	Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Sonata Op. 5, No. 10: Sarabanda	Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent	D♭ Minor	0	12A	86 BPM
Water Music, Suite No. 2, HWV 349: No. 12, Alla Hornpipe	George Frideric Handel, Akademie für Alte Musik Berlin	D♭ Major	2	3B	132 BPM
Polifemo: Alto giove (Air d'Acio) - Instrumental Version	Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin	E♭ Minor	0	2A	141 BPM
3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645)	Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz	E♭ Major	0	5B	84 BPM
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave	Cologne Chamber Orchestra, Georg Philipp Telemann	G Major	3	9B	116 BPM
Sonata in D Major, No. 1: IV. Adagio	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	B♭ Minor	1	3A	96 BPM
Atys, LWV 53: Ouverture	Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea	F Minor	3	4A	131 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	D♭ Minor	3	12A	169 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	1	3B	130 BPM
12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum	Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw	G Major	1	9B	117 BPM
Serse, HWV 40: Largo "Ombra mai fu"	George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra	G Major	1	9B	82 BPM
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	3	8B	114 BPM
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo	Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra	F Major	0	7B	133 BPM
Die schöne Müllerin, D. 795: No. 19, Der Müller und der Bach - Performed on Cello & Piano	Franz Schubert, Mischa Maisky, Daria Hovora	G Major	0	9B	96 BPM
Adagio En Sol Mineur	Academy of St. Martin in the Fields, Iona Brown	C Minor	2	5A	74 BPM
Concerto a 5 in D minor, Op.9, No.2 for Oboe, Strings, and Continuo: 2. Adagio	Tomaso Albinoni, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood	D♭ Major	2	3B	108 BPM
Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra)	Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd	D Major	1	10B	80 BPM
Cantique de Jean Racine, Op. 11	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France	D♭ Major	2	3B	73 BPM