- BPM
- 126
- Key
- F Major
- Camelot
- 7B
For the Time Being: III. And How Are We Today?, "The little people in the radio are picking on me again" by Michel van der Aa, Rick Stotijn, Hans Eijsackers, Christianne Stotijn Song Details
"For the Time Being: III. And How Are We Today?, "The little people in the radio are picking on me again"" by Michel van der Aa, Rick Stotijn, Hans Eijsackers, Christianne Stotijn had its release date on September 26, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Reports from the Low Country". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, For the Time Being: III. And How Are We Today?, "The little people in the radio are picking on me again"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With For the Time Being: III. And How Are We Today?, "The little people in the radio are picking on me again" by Michel van der Aa, Rick Stotijn, Hans Eijsackers, Christianne Stotijn having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.453 dB
- Acousticness
- 97%
- Danceability
- 45%
- Energy
- 16%
- Instrumentalness
- 17%
- Liveness
- 18%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Upload: Scene 8-2 | Michel van der Aa, Dutch National Opera, Ensemble Musikfabrik, Julia Bullock, Otto Tausk, Roderick Williams | D♭ Major | 3 | 3B | 85 BPM | |
 | John Adams Road Movies III 40 Percent Swing | Frank Cassara, Helen Lin | D Major | 3 | 10B | 154 BPM | |
 | Concerto No. 3, "Fuge Like a Passion": II. Little G - After Organ Fugue in G Minor, BWV 578 "The Little" | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | G Minor | 4 | 6A | 88 BPM | |
 | Withering Hope | Orithia | E Major | 7 | 12B | 102 BPM | |
 | DANCE: V. when you’re perfectly free | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 3 | 9B | 113 BPM | |
 | Materna Requiem: 2. Kyrie | Rebecca Dale, Louise Alder, Jonathan Aasgaard, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | B Minor | 0 | 10A | 121 BPM | |
 | A Lion´s Sleep | Ivan Moody, Trio Mediæval | G Major | 0 | 9B | 97 BPM | |
 | the little match girl passion: have mercy, my god | David Lang, Theatre Of Voices, Paul Hillier | A♭ Major | 0 | 4B | 78 BPM | |
 | Alone in the Darkness | Allexandre Goz, Cats Rule the World | A Minor | 1 | 8A | 101 BPM | |
 | Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | |
![Txoria txori (Basque country, Spain) [Arr. for Vocal Ensemble by Winnie Brückner] by Mikel Laboa, Sjaella](https://i.scdn.co/image/ab67616d00001e022235ea688a39266aa6aa14af) | Txoria txori (Basque country, Spain) [Arr. for Vocal Ensemble by Winnie Brückner] | Mikel Laboa, Sjaella | D Minor | 1 | 7A | 123 BPM | |
 | Symphony for 8 | Cello Octet Amsterdam | F Major | 1 | 7B | 175 BPM | |
 | National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | |
 | Partita for 8 Singers: 2. Sarabande | Caroline Shaw, Roomful of Teeth, Brad Wells | C Major | 2 | 8B | 62 BPM | |
 | Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | |
 | Anach | Michel van der Aa, Schönberg Ensemble, Micha Hamel | G Major | 3 | 9B | 89 BPM | |
| the little match girl passion: come, daughter | David Lang, Theatre Of Voices, Paul Hillier | D♭ Major | 1 | 3B | 72 BPM | |
 | Havoun Havoun | Tigran Hamasyan, Yerevan State Chamber Choir, Harutyun Topikyan | B Minor | 0 | 10A | 137 BPM | |
 | Death Speaks: No. 1, You Will Return | David Lang, Shara Nova, Owen Pallett, Bryce Dessner, Nico Muhly | D Minor | 1 | 7A | 124 BPM | |
 | Song of the Birds | Pau Casals, Daniel Müller-Schott | C Major | 0 | 8B | 130 BPM | |
 | Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | |
 | Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | |
 | Lunar Circle | Luna Mystic | E Minor | 4 | 9A | 102 BPM | |
 | Trois Strophes sur le nom de Sacher: II. Andante sostenuto | Henri Dutilleux, Christian-Pierre La Marca | D♭ Major | 0 | 3B | 88 BPM | |
 | Inflection Point | Echo Collective, Neil Leiter, Gary De Cart, Margaret Hermant, Charlotte Danhier | C Major | 0 | 8B | 60 BPM |
- ISRC
- NLA460914772
- Label
- L-M Records/RCA Records