Alonso Mudarra, Stephen Stubbs's ' "Mudarra: Libros de música en cifra, Libro I: Pavana & galliard d'Alexandre" was released on its scheduled release date, 1992. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Mudarra: Libros de música en cifra, Libro I: Pavana & galliard d'Alexandre's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "O Lusitano". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Mudarra: Libros de música en cifra, Libro I: Pavana & galliard d'Alexandre's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Mudarra: Libros de música en cifra, Libro I: Pavana & galliard d'Alexandre by Alonso Mudarra, Stephen Stubbs having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | David Munrow | F Major | 2 | 7B | 112 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Suite No. 1 from "The Fairy Queen": I. Prelude | Henry Purcell, The English Guitar Quartet | B Minor | 0 | 10A | 180 BPM | ||
| De Navarez : Mille regretz | Heringman | G Minor | 0 | 6A | 161 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| La Zanetta padovana (Renaissance Lutes & Archlute in Ensemble) | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 72 BPM | ||
| Concerto For Harp In B-Flat Major: III. Allegro Moderato | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 181 BPM | ||
| Le Triomphe: March de Triomphe | Andre Danican Philidor, La Simphonie Du Marais, Hugo Reyne | D♭ Major | 4 | 3B | 77 BPM | ||
| Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
| Glosa Sobre el Cum Sancto (Tiento del Séptimo Tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 108 BPM | ||
| Fantasia Basso solo | Bartolomeo de Selma, Sylvain Bergeron, Margaret Little | A Minor | 1 | 8A | 77 BPM | ||
| Pavana de Alexandre (Gallárda) | Alonso Mudarra, Hopkinson Smith | E Major | 1 | 12B | 126 BPM | ||
| Concerto Tomo, RV 104: III. Allegro | Antonio Vivaldi, The English Guitar Quartet | E Major | 1 | 12B | 73 BPM | ||
| Concerto in C major: Allegro | Giovanni Benedetto Platti, Lucia Swarts, Teatro Lirico, Stephen Stubbs | B Major | 2 | 1B | 128 BPM | ||
| Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
| Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
| Matachin | Gaspar Sanz, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| No. 18, Sonata à 31 | Francesco Turini, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
| Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy | William Lawes, Fretwork | A Minor | 1 | 8A | 79 BPM | ||
| Concerto in A minor: Largo | Nicola Porpora, Lucia Swarts, Teatro Lirico, Stephen Stubbs | A♭ Minor | 0 | 1A | 123 BPM | ||
| Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
| Harp Concerto, Op. 4, No. 6 in B Flat Major: Allegro Moderato | George Frideric Handel, Andrew Lawrence-King, Stephen Stubbs, Erin Headley, Harry Christophers, The Sixteen | E Major | 1 | 12B | 112 BPM |