Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof's ' "Terpsichore*: Ballet du Roy" was released on its scheduled release date, October 13, 1998. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Terpsichore*: Ballet du Roy's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Praetorius: Dances From Terpsichore". In this album, this song's track order is #4. In terms of popularity, Terpsichore*: Ballet du Roy is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Terpsichore*: Ballet du Roy by Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Allemandes - Arranged by Piffaro | Claude Gervaise, Piffaro | A♭ Major | 1 | 4B | 118 BPM | ||
| Fantasia No. 15 | Francesco da Milano, Jakob Lindberg | F Major | 1 | 7B | 94 BPM | ||
| Saltarello No. 1 | Unicorn Ensemble | E Minor | 2 | 9A | 80 BPM | ||
| Au temps d'auost | Guiraut Riquier, Martin Best Medieval Ensemble | G Major | 5 | 9B | 114 BPM | ||
| Tre Fontane | Unicorn Ensemble | D Major | 2 | 10B | 140 BPM | ||
| Manuscrit de Paris: Quarte estampie | Ensemble Convivencia | E Minor | 1 | 9A | 163 BPM | ||
| Aspire refus contre doulce priere | Jacopo da Bologna, Munir Beken, August Denhard | D♭ Major | 1 | 3B | 128 BPM | ||
| Spagna Contrapunto | Francesco da Milano, Atrium Musicae de Madrid, Gregorio Paniagua | A Minor | 2 | 8A | 102 BPM | ||
| Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
| Otros Canarios | Rolf Lislevand, Santiago De Murcia | D♭ Major | 1 | 3B | 145 BPM | ||
| Bassadanza cupido | Guglielmo Ebreo da Pesaro, La Rossignol | G Minor | 0 | 6A | 91 BPM | ||
| Au joly jeu | Clément Janequin, Harmonia Recorder Ensemble | C Major | 0 | 8B | 105 BPM | ||
| La Tarantela | Gaspar Sanz, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM | ||
| Fantasia | Luis de Milán, Lutz Kirchhof | G Minor | 1 | 6A | 101 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM | ||
| Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
| Benjamin Britten: Gloriana:Courtly Dances - Galliard | Julian Bream | A Major | 0 | 11B | 113 BPM | ||
| Bassadanze Zoglioxa (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Domenico da Piacenza, Into the Winds | E♭ Major | 0 | 5B | 124 BPM | ||
| English Dance | English 13th Cent., The Dufay Collective | D Major | 1 | 10B | 185 BPM | ||
| Sixteenth Century French Dances: L'Homme Arme | Michael Praetorius, Calliope - A Renaissance Band | A Major | 1 | 11B | 138 BPM | ||
| Sans Liberte (Morlaye) | Edward Martin | G Minor | 0 | 6A | 139 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
| Aria sopra "La Bergamasca" | Maurice Steger, Naoki Kitaya, Continuo Consort | D♭ Major | 2 | 3B | 74 BPM | ||
| Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM |