Helen Forrest's ' "Baby Won’t You Please Come Home" was released on its scheduled release date, 2004. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Helen Forrest's "Helen Forrest: The Complete World Transcriptions" album is number 14 out of 50. On top of that, United States appears to be the country where this track was created. Baby Won’t You Please Come Home is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Baby Won’t You Please Come Home by Helen Forrest to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stompin' At The Savoy - Single Version | Judy Garland, Bob Crosby & His Orchestra | D♭ Major | 3 | 3B | 169 BPM | ||
| Talk of the Town | Ted Weems & His Orchestra | E♭ Major | 3 | 5B | 109 BPM | ||
| Sam's Got Him | Johnny Mercer | G Minor | 4 | 6A | 110 BPM | ||
| A Rookie and His Rhythm | Kay Kyser | B Major | 6 | 1B | 94 BPM | ||
| Where Was I? (From "'Til We Meet Again") | Charlie Barnet & His Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| True Confession | Larry Clinton, Bea Wain | B Major | 6 | 1B | 94 BPM | ||
| I Lost My Sugar in Salt Lake City | Leon Rene, Johnny Lange, Stan Kenton, Anita O'Day, Stan Kenton & His Orchestra | B♭ Minor | 2 | 3A | 56 BPM | ||
| LAURA | Woody Herman | E♭ Major | 2 | 5B | 88 BPM | ||
| No Moon At All | Jeri Southern | E Minor | 1 | 9A | 117 BPM | ||
| Party Time | Jack Shaindlin | C Minor | 5 | 5A | 151 BPM | ||
| The Starlit Hour | Ella Fitzgerald and Her Famous Orchestra | B♭ Major | 1 | 6B | 100 BPM | ||
| One More Tomorrow | Frankie Carle | B Major | 6 | 1B | 94 BPM | ||
| Nobody's Using It Now | Marion Harris | B Major | 6 | 1B | 94 BPM | ||
| Coming In On A Wing And A Prayer | Anne Shelton | E♭ Major | 3 | 5B | 105 BPM | ||
| Who Wouldn't Love You | Kay Kyser & His Orchestra | B Major | 6 | 1B | 94 BPM | ||
| Basin Street Blues | Connee Boswell | E♭ Major | 1 | 5B | 103 BPM | ||
| Pacific 1860: This Is a Changing World | Noel Coward | E♭ Major | 1 | 5B | 83 BPM | ||
| I don't want to set the world on fire | Horace Heidt And His Orchestra, Horace Heidt | C Minor | 1 | 5A | 85 BPM | ||
| Moonglow | June Christy, Stan Kenton & His Orchestra | E♭ Major | 2 | 5B | 110 BPM | ||
| Love Letters In The Sand | Lee Morse | A♭ Major | 1 | 4B | 97 BPM | ||
| You Turned The Tables On Me | Lee Wiley | D♭ Major | 1 | 3B | 115 BPM | ||
| Well All Right (Tonight's The Night) - Single Version | The Andrews Sisters | F♯ Minor | 4 | 11A | 176 BPM | ||
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM |