"End Titles" by David Arnold, Nicholas Dodd had its release date on 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hyperunknown, David Arnold, Original Soundtrack's "Independence Day" album is number 14 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, End Titles is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of End Titles by David Arnold, Nicholas Dodd to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seeing Is Believing | Alan Silvestri | C Minor | 4 | 5A | 80 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Autobots | Steve Jablonsky | G Minor | 5 | 6A | 80 BPM | ||
| Harry & Greg / Launch - From "Armageddon" | The City of Prague Philharmonic Orchestra | A Minor | 4 | 8A | 84 BPM | ||
| Going Home (End Titles from “Master of the Air”) | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Season 2 Main Title | Jeff Russo | B♭ Major | 8 | 6B | 140 BPM | ||
| Treasure | Trevor Rabin | E♭ Major | 1 | 5B | 63 BPM | ||
| Wonders Of An Ancient Glory - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 59 BPM | ||
| Boxing Day | John Powell | F Major | 2 | 7B | 172 BPM | ||
| I, Robot Theme (End Credits) | Marco Beltrami | D♭ Major | 6 | 3B | 120 BPM | ||
| Flight To Avalon - Dragonheart/Soundtrack Version | Randy Edelman | B♭ Major | 3 | 6B | 61 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| The Rock - From "The Rock" | The City of Prague Philharmonic Orchestra | F Major | 3 | 7B | 116 BPM | ||
| Dragon's Heartbeat - From "Dragon: The Bruce Lee Story" | Randy Edelman, London Music Works | F Major | 5 | 7B | 123 BPM | ||
| Stairwell Fight (From "Casino Royale" Soundtrack) | David Arnold | G Major | 5 | 9B | 78 BPM | ||
| Orchestral Suite From The Inner Light | Various Artists | D Major | 1 | 10B | 65 BPM | ||
| Come In 007, Your Time Is Up | David Arnold | E Minor | 10 | 9A | 133 BPM | ||
| Assembly Line | Jerry Goldsmith | F♯ Minor | 3 | 11A | 121 BPM | ||
| Main Title (Aired Version) | Jeff Russo | D Minor | 3 | 7A | 143 BPM | ||
| Rock Shop | Basil Poledouris | F Minor | 3 | 4A | 119 BPM | ||
| Stargate Sg-1: End Credits | Original Soundtrack | G Major | 4 | 9B | 138 BPM | ||
| Butterflies In The Subway | George Fenton | G Major | 4 | 9B | 115 BPM | ||
| Greensleeves | John Beasley, Edwin Livingston, Christian Euman | B Minor | 5 | 10A | 136 BPM | ||
| Main Title | Dennis McCarthy | D♭ Major | 0 | 3B | 61 BPM | ||
| Buddy's Journey - From "Elf" | John Debney | A Major | 1 | 11B | 77 BPM |