Eugène Bozza, Sergio Guarné, ORA Chamber Players, Ricardo Casero's 'Badinage - Arr. for String Chamber Orchestra and Trumpet' had a release date set for June 6, 2015. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 25 S, The Return, so we believe that "Badinage - Arr. for String Chamber Orchestra and Trumpet" is a single. In terms of popularity, Badinage - Arr. for String Chamber Orchestra and Trumpet is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Badinage - Arr. for String Chamber Orchestra and Trumpet by Eugène Bozza, Sergio Guarné, ORA Chamber Players, Ricardo Casero is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): IV. Variazione II | Ernst Krähmer, Claudio Ferrarini | D Minor | 2 | 7A | 142 BPM | ||
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Trombone Quartet No. 1: II. — | Saskia Apon, Trombone Unit Hannover | E Major | 2 | 12B | 162 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| I. On the top of Cape Finisterre | Ricardo Mollá, Esteban Batallán, Ricardo Mollá Albero, Alberto Urretxo, Bilbao Symphony Orchestra | B♭ Major | 2 | 6B | 114 BPM | ||
| Tuba Concerto: II. Lento e mesto | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | E♭ Minor | 0 | 2A | 67 BPM | ||
| Epithalame | Eugène Bozza, Csaba Klenyán, Maki Yamamoto | D Minor | 0 | 7A | 132 BPM | ||
| Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | ||
| Colors: II. Red | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | F Major | 3 | 7B | 86 BPM | ||
| Jour d'été a la montagne: III. Le chant des forets | Eugène Bozza, Vif Flute Quartet | E Minor | 0 | 9A | 68 BPM | ||
| En Foret, Op. 40 | Eugène Bozza, 菊池洋子, Radek Baborak | F Major | 0 | 7B | 89 BPM | ||
| En Forêt | Eugène Bozza, Alexandre Collard, Nicolas Royez | F Major | 1 | 7B | 134 BPM | ||
| Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
| Trumpet Concerto in E Flat Major, S. 49: III. Rondò: Allegro Molto | Johann Nepomuk Hummel, Andrea Giuffredi | B♭ Major | 5 | 6B | 154 BPM | ||
| Trombone Concerto: II. Quasi una leggenda. Andante grave | Launy Grøndahl, Christian Lindberg, Bamberg Symphony, Leif Segerstam | B♭ Minor | 0 | 3A | 88 BPM | ||
| Suite in the Old Style: III. Minuet - Arr. for Flugelhorn and Piano by Sergei Nakariakov and Maria Meerovitch | Alfred Schnittke, Sergei Nakariakov, Maria Meerovitch | A Minor | 0 | 8A | 101 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Sonatine pour basson et piano: III. Scherzo presto | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 3 | 8A | 149 BPM | ||
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| 5 Bagatelles for clarinet and piano, Op.23: 3. Carol - Andantino semplice | Gerald Finzi, Emma Johnson, Malcolm Martineau | B♭ Major | 0 | 6B | 173 BPM | ||
| Torna a Surriento (Come Back to Sorrento) [arr. For trombone] | Ernesto de Curtis, Joseph Alessi, Alessi Street Band | B♭ Major | 0 | 6B | 81 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM |