George Frideric Handel, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner's ' "Acis And Galatea - First Version: His Hideous Love" was released on its scheduled release date, January 1, 1978. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Anthony Rolfe Johnson, Norma Burrowes, Paul Elliott, Martyn Hill, Willard White, English Baroque Soloists, John Eliot Gardiner's "Handel: Acis and Galatea" album is number 7 out of 29. On top of that, Germany appears to be the country where this track was created. Acis And Galatea - First Version: His Hideous Love is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Acis And Galatea - First Version: His Hideous Love by George Frideric Handel, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
| Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: I. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | B Major | 3 | 1B | 151 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
| Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
| Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
| Le Messie, symphony: Grave Allegro Moderato | George Frideric Handel, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Jean Nirouet, Alexander Stevenson, Philip Langshaw | D Major | 3 | 10B | 107 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Stabat Mater, P. 77: II. Soprano. Cuius animam gementem | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Adagio in E flat, Op. posth. 148 D.897 "Notturno" | Franz Schubert, Trio di Parma | D Minor | 1 | 7A | 110 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Concerto in C Minor: III. Siciliana | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | A Minor | 1 | 8A | 77 BPM | ||
| Admeto, Rè di Tessaglia, HWV 22: Ouverture | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Minor | 2 | 12A | 108 BPM | ||
| Rameau: Les Boréades, Act 4: Entrée de Polymnie | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | D Major | 2 | 10B | 122 BPM | ||
| Concerto for 2 Oboes in F Major, Op. 9, No. 3: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 112 BPM | ||
| Handel: Eternal Source Of Light Divine (Ode For The Birthday Of Queen Anne), HWV 74 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | D♭ Major | 2 | 3B | 76 BPM |