Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato e dolce by William Boyce, Aradia Ensemble, Kevin Mallon Song Details

William Boyce, Aradia Ensemble, Kevin Mallon's ' "Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato e dolce" was released on its scheduled release date, May 1, 2005. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato e dolce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Boyce: Symphonies Nos. 1-8, Op. 2 by William Boyce, Aradia Ensemble, Kevin Mallon. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato e dolce's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of Symphony No. 1 in B-Flat Major, Op. 2: II. Moderato e dolce by William Boyce, Aradia Ensemble, Kevin Mallon is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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Popularity: 23%
Loudness: -20.344 dB
Acousticness: 93%
Danceability: 47%
Energy: 7%
Instrumentalness: 98%
Liveness: 8%
Loudness: 66%
Speechiness: 3%
Valence: 54%

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