- BPM
- 74
- Key
- G Major
- Camelot
- 9B
Blissful Thoughts by Anthony Collins Song Details
"Blissful Thoughts" by Anthony Collins had its release date on January 1, 1978. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "KPM 1000 Series: Marchtime USA / Hollywood Heyday" album is number 24 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Blissful Thoughts is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Blissful Thoughts by Anthony Collins to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -16.646 dB
- Acousticness
- 91%
- Danceability
- 14%
- Energy
- 14%
- Instrumentalness
- 61%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Christine In Hotel Corridor | Original Soundtrack | A Major | 1 | 11B | 168 BPM | |
 | La bohème: O soave fanciulla | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | C Major | 1 | 8B | 137 BPM | |
 | Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | |
 | Façade: 12. Country Dance | William Walton, Edith Sitwell, The English Opera Group Ensemble, Anthony Collins | E Minor | 4 | 9A | 106 BPM | |
 | A Downland Suite: II. Elegy | John Ireland, Sinfonia Of London, John Wilson | E♭ Major | 0 | 5B | 57 BPM | |
 | La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | |
 | Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | |
 | Don't Look Down Now - Roman Flügel Remix | Anthony Collins, Roman Flügel | F Minor | 8 | 4A | 117 BPM | |
 | The Merry Widow Waltz | Ian Whitcomb, The White Star Orchestra | G Major | 2 | 9B | 160 BPM | |
 | Malaguena | Anthony Collins, New Concert Novelty Ensemble | D Major | 2 | 10B | 154 BPM | |
 | Portrait De Fleurs | London Philharmonic Orchestra | G Minor | 3 | 6A | 91 BPM | |
 | VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | |
| Suite for Variety Orchestra: VIII. Finale | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | |
 | Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | |
 | 3 Old Viennese Dances: Liebesleid | Fritz Kreisler, Victor Symphony Orchestra, Charles O'Connell | F Major | 3 | 7B | 104 BPM | |
| La bohème: Che gelida manina | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | G Major | 5 | 9B | 171 BPM | |
 | The Legend Of The Glass Mountain | Annunzio Paolo Mantovani | C Major | 2 | 8B | 93 BPM | |
 | Sylvia: Act I: Faunes et Dryades (Scherzo) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 81 BPM | |
 | Fantasia on Greensleeves | Ralph Vaughan Williams, The New Symphony Orchestra Of London, Anthony Collins | C Minor | 1 | 5A | 81 BPM | |
 | Grande tarantelle, Op. 67, D. 66 | Louis Moreau Gottschalk, Joel Fan, Northwest Sinfonietta, Christophe Chagnard | D Minor | 1 | 7A | 146 BPM | |
 | Carmen Suite No. 1: Prélude | Georges Bizet, London Philharmonic Orchestra, Anthony Collins | E Major | 4 | 12B | 135 BPM | |
 | Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | |
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | |
 | Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | |
 | Morgenblätter, Op.279 'Morning papers' | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 100 BPM |
- ISRC
- GBBGL7800270
- Label
- L-M Records/RCA Records