"Thee God" by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Stacey Grimaldi, Richard Coffey had its release date on November 1, 1998. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Thee God's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Sing My Soul". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Thee God is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thee God by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Stacey Grimaldi, Richard Coffey having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rorem : Stopping by Woods on a Snowy Evening | Ned Rorem, Susan Graham | E Minor | 0 | 9A | 100 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | ||
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| 11 Pezzi Infantili, Op. 35: X. Berceuse | Alfredo Casella, Luca Ballerini | C Major | 2 | 8B | 140 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: VI. Epilogue. Adagio | Dmitri Shostakovich, Cuarteto Casals | E♭ Minor | 1 | 2A | 86 BPM | ||
| Our Town, Act II: "Hello There, George. Howdy, Emily" | Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose | C Major | 1 | 8B | 95 BPM | ||
| Keyboard Sonata in F Major, Kk. 446 (Arr. for Piano by Ignaz Friedman) | Domenico Scarlatti, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | C Minor | 1 | 5A | 88 BPM | ||
| Schoeck: Notturno, Op. 47: V. Ach, wer möchte einsam trinken - O Einsamkeit! Wie trink' ich gerne - Heerwagen, mächtig Sternbild der Germanen | Othmar Schoeck, Cherubini-Quartett, Dietrich Fischer-Dieskau | G Major | 0 | 9B | 89 BPM | ||
| 3 Petites pièces montées: No.1 De I'enfance de Pantagruel (reverie) | Gabriel Tacchino, Aldo Ciccolini | F Major | 0 | 7B | 181 BPM | ||
| Seven Portraits: IV. C | Edward Picton-Turbervill | E♭ Minor | 1 | 2A | 86 BPM | ||
| On an Overgrown Path, JW VIII/17, Book 1: III. Come with Us | Leoš Janáček, Marc-André Hamelin | G Major | 0 | 9B | 68 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | E♭ Minor | 1 | 2A | 86 BPM | ||
| String Symphony No. 5 in B-Flat Major, MWV N5: II. Andante | Felix Mendelssohn, English String Orchestra, William Boughton | G Major | 0 | 9B | 83 BPM | ||
| Suite from "The Victorian Kitchen Garden": III. Mists. Lento melancolico | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 70 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Falla: Noches en los jardines de España: III. En los jardines de la sierra de Córdoba | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | E♭ Minor | 1 | 2A | 86 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Songs of Love: IV. Then Time Stopped (Version for Saxophone Quartet) | Pēteris Vasks, Signum Saxophone Quartet | F♯ Minor | 0 | 11A | 77 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM |