Our Town, Act II: "Hello There, George. Howdy, Emily"
Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose
Ned Rorem: Our Town
2:05 June 9, 2017
BPM
95
Key
C Major
Camelot
8B

Embed

Share Link

Our Town, Act II: "Hello There, George. Howdy, Emily" by Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose Song Details

"Our Town, Act II: "Hello There, George. Howdy, Emily"" by Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose had its release date on June 9, 2017. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Our Town, Act II: "Hello There, George. Howdy, Emily"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Ned Rorem: Our Town". In this album, this song's track order is #3. In terms of popularity, Our Town, Act II: "Hello There, George. Howdy, Emily" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Our Town, Act II: "Hello There, George. Howdy, Emily" by Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.925 dB
Acousticness
96%
Danceability
52%
Energy
15%
Instrumentalness
0%
Liveness
49%
Loudness
72%
Speechiness
7%
Valence
16%

Recommendations

TrackArtistKeyEnergyCamelotBPM
4 Lieder, Op. 27: No. 4, Morgen! by Richard Strauss, Samuel Mariño, Jonathan Ware4 Lieder, Op. 27: No. 4, Morgen!Richard Strauss, Samuel Mariño, Jonathan WareG Major09B102 BPM
Symphony No. 3: Passacaglia by Bournemouth Symphony Orchestra, Ned RoremSymphony No. 3: PassacagliaBournemouth Symphony Orchestra, Ned RoremD Minor17A111 BPM
Gloria, FP 177: VI. Qui sedes ad dexteram Patris by Francis Poulenc, Britten Sinfonia, Polyphony, The Choir Of Trinity College, Cambridge, Susan Gritton, Stephen LaytonGloria, FP 177: VI. Qui sedes ad dexteram PatrisFrancis Poulenc, Britten Sinfonia, Polyphony, The Choir Of Trinity College, Cambridge, Susan Gritton, Stephen LaytonG Major29B81 BPM
Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale by Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia CalmusSuite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. PastoraleAlfred Schnittke, Julie Sévilla-Fraysse, Anastasia CalmusC Major08B173 BPM
Sonata Santera: II. Ofrenda by Iván Enrique Rodríguez, Han Chen, Eric SchultzSonata Santera: II. OfrendaIván Enrique Rodríguez, Han Chen, Eric SchultzA Minor18A88 BPM
I. Thème. Modéré by Olivier Messiaen, Benjamin Frith, Lucy GouldI. Thème. ModéréOlivier Messiaen, Benjamin Frith, Lucy GouldC Minor05A84 BPM
Emily — No Prisoner Be: No. 11, A little Snow by Kevin Puts, Time For Three, Joyce DiDonatoEmily — No Prisoner Be: No. 11, A little SnowKevin Puts, Time For Three, Joyce DiDonatoC Major08B173 BPM
Jolivet: Poèmes intimes: No. 4, Tu dors by André Jolivet, Alain Lombard, Colette Herzog, Orchestre Philharmonique De StrasbourgJolivet: Poèmes intimes: No. 4, Tu dorsAndré Jolivet, Alain Lombard, Colette Herzog, Orchestre Philharmonique De StrasbourgD Major510B170 BPM
Romanze F Minor: Romanze F Minor by Sergei Rachmaninoff, Reiner Ginzel, Gitti PirnerRomanze F Minor: Romanze F MinorSergei Rachmaninoff, Reiner Ginzel, Gitti PirnerF Minor04A166 BPM
Var. 6, Adagio by Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael HalaszVar. 6, AdagioPyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael HalaszD Minor07A80 BPM
Woodland Suite: I. At Evening Bell by George Dyson, BBC Symphony Orchestra, Richard HickoxWoodland Suite: I. At Evening BellGeorge Dyson, BBC Symphony Orchestra, Richard HickoxD Major010B96 BPM
Piesn Roksany - Transcription for violin and Piano: Paul Kochanski by Karol Szymanowski, Kaja Danczowska, Krystian ZimermanPiesn Roksany - Transcription for violin and Piano: Paul KochanskiKarol Szymanowski, Kaja Danczowska, Krystian ZimermanA Minor08A75 BPM
Youth: III. Frankenthaler by Edmund Finnis, Clare HammondYouth: III. FrankenthalerEdmund Finnis, Clare HammondB♭ Minor03A133 BPM
The Lordly Hudson (Paul Goodman) by Ned Rorem, Nathan Gunn, Kevin MurphyThe Lordly Hudson (Paul Goodman)Ned Rorem, Nathan Gunn, Kevin MurphyA♭ Major14B75 BPM
Mendelssohn: Songs Without Words, Book IV, Op. 53: No. 4, Adagio, MWV U114 by Felix Mendelssohn, Daniel AdniMendelssohn: Songs Without Words, Book IV, Op. 53: No. 4, Adagio, MWV U114Felix Mendelssohn, Daniel AdniF Major07B77 BPM
Air à danser, Op. 164 by Cécile Chaminade, Eric ParkinAir à danser, Op. 164Cécile Chaminade, Eric ParkinD♭ Major13B67 BPM
Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental by Gerald Finzi, Aurora Orchestra, Nicholas CollonLove's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - InstrumentalGerald Finzi, Aurora Orchestra, Nicholas CollonB♭ Major16B103 BPM
Goldberg Variations, BWV 988: Var. XIX. (Arr. for String Orchestra by Dana Anka) [Excerpt] by Johann Sebastian Bach, The Stradivari OrchestraGoldberg Variations, BWV 988: Var. XIX. (Arr. for String Orchestra by Dana Anka) [Excerpt]Johann Sebastian Bach, The Stradivari OrchestraG Major09B141 BPM
Phantasy Quintet: III. Alla Sarabanda by Ralph Vaughan Williams, Piatti Quartet, Zahra BenyounesPhantasy Quintet: III. Alla SarabandaRalph Vaughan Williams, Piatti Quartet, Zahra BenyounesC Major08B173 BPM
Kinderszenen, Op. 15: XIII. Der Dichter spricht by Robert Schumann, Angela HewittKinderszenen, Op. 15: XIII. Der Dichter sprichtRobert Schumann, Angela HewittE♭ Major15B81 BPM
Música callada I: No. 6, Lento by Federico Mompou, Stephen HoughMúsica callada I: No. 6, LentoFederico Mompou, Stephen HoughG Major09B70 BPM
Choralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60 by Johann Sebastian Bach, Alessandro SimonettoChoralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60Johann Sebastian Bach, Alessandro SimonettoA Major011B50 BPM
Improvisations on Themes of Clara Schumann by Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre OrchestraImprovisations on Themes of Clara SchumannStewart Goodyear, Alexander Shelley, Canada's National Arts Centre OrchestraE Minor19A106 BPM
Preludes: Instants defunts (Dead Instants) by Olivier Messiaen, Håkon AustbøPreludes: Instants defunts (Dead Instants)Olivier Messiaen, Håkon AustbøD Major010B73 BPM
Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude by Franck Tortiller, Quatuor DebussyLes Danses de Ravel (After Le Tombeau de Couperin): I. PréludeFranck Tortiller, Quatuor DebussyE Minor29A75 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records