Ned Rorem, Nathan Gunn, Kevin Murphy's 'The Lordly Hudson (Paul Goodman)' had a release date set for February 1, 1999. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Lordly Hudson (Paul Goodman)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 22 in American Anthem by Nathan Gunn, Kevin Murphy. The Lordly Hudson (Paul Goodman) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lordly Hudson (Paul Goodman) by Ned Rorem, Nathan Gunn, Kevin Murphy is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maktah (berceuse phoque) (Chants de la jungle no.2) | Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | E♭ Major | 0 | 5B | 128 BPM | ||
| Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | C Minor | 1 | 5A | 136 BPM | ||
| Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Concerto for English Horn and Orchestra: II. Love Letter | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
| Rorem : Clouds | Ned Rorem, Susan Graham, Ensemble Oriol | E Major | 0 | 12B | 178 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | C Minor | 1 | 5A | 136 BPM | ||
| On an Overgrown Path, JW VIII/17, Book 1: III. Come with Us | Leoš Janáček, Marc-André Hamelin | G Major | 0 | 9B | 68 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | C Minor | 1 | 5A | 136 BPM | ||
| Música callada I: No. 3, Placide | Federico Mompou, Stephen Hough | E Minor | 1 | 9A | 132 BPM | ||
| Blumenleben, Op. 19: No. 7, Lilien | Dora Pejačević, Natasa Veljkovic | C Major | 3 | 8B | 80 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Une Tabatiere a Musique. Op. 32 (Musical Snuffbox) - Duo-Art 67319 | Anatoly Lyadov, Ethel Leginska, Peter Phillips | C Minor | 1 | 5A | 136 BPM | ||
| Le Joie de Pierre-Auguste: Adagio. Como Cada Mañana Entre el Dolor y la Belleza... | Ramón Paus, Irene Cantos | G Major | 1 | 9B | 63 BPM | ||
| Roman Sketches, Op. 7: No. 4, Clouds | Charles Griffes, Solungga Liu | D♭ Major | 0 | 3B | 66 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | C Minor | 1 | 5A | 136 BPM | ||
| Piano Album I: Waiting to Get Well | Ned Rorem, Carolyn Enger | F Major | 0 | 7B | 111 BPM | ||
| Catullus: On the Burial of his Brother | Ned Rorem, The Prince Consort | F Major | 0 | 7B | 125 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | C Minor | 1 | 5A | 136 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung (Arr. for Clarinet and Piano by R. Sévère) | Robert Schumann, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 74 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | C Minor | 1 | 5A | 136 BPM |