"Fauré: Requiem (Sanctus) - Extended Faultline Rework" by Netherlands Radio Chorus, Rotterdam Philharmonic Orchestra, Faultline had its release date on July 15, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "re:works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Fauré: Requiem (Sanctus) - Extended Faultline Rework is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fauré: Requiem (Sanctus) - Extended Faultline Rework by Netherlands Radio Chorus, Rotterdam Philharmonic Orchestra, Faultline having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ritirata notturna di Madrid | Luigi Boccherini, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 2 | 8B | 135 BPM | ||
| Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | A Minor | 3 | 8A | 85 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Royal Concertgebouw Orchestra, Riccardo Chailly | F Major | 0 | 7B | 82 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
| Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Miserere II in C minor: 1. Miserere mei, Deus | Giovanni Battista Pergolesi, The Choir of Magdalen College, Oxford, The Wren Orchestra, Bernard Rose | D♭ Major | 2 | 3B | 120 BPM | ||
| Pärt: Fratres (1991 Version for String Orchestra and Percussion) | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 180 BPM | ||
| Paulus: I. Teil: Nr. 1 Chor "Herr, der du bist der Gott" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Major | 3 | 3B | 112 BPM | ||
| The Lamb | John Tavener, Filharmonie Brno | E Minor | 2 | 9A | 76 BPM | ||
| Salve Regina | Giacomo Puccini, Elina Garanca, Gunther Rost | E Major | 0 | 12B | 85 BPM | ||
| Patadita | World Of Woe | G Major | 1 | 9B | 100 BPM | ||
| Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Eric Picard, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
| Puccini: Messa di Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 7, Larghetto con moto | Carl Loewe, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 0 | 9B | 74 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| String Quartet in F Minor, Op. 20 No. 5, Hob.III:35: I. Allegro moderato | Joseph Haydn, Jerusalem Quartet | D Major | 1 | 10B | 83 BPM | ||
| Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Requiem, Op. 48, N. 97: V. Agnus Dei | Gabriel Fauré, La Chapelle Royale, Philippe Herreweghe, Collegium Vocale Gent, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
| Lohengrin, Act I: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
| Petite messe solennelle: Offertorium. Prélude religieux | Gioachino Rossini, Christophe Henry, Orchestre de chambre de Paris, Ottavio Dantone | D♭ Major | 0 | 3B | 89 BPM | ||
| Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | ||
| Stabat Mater: 8. Inflammatus et accensus | Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende | D Major | 2 | 10B | 112 BPM | ||
| Les Boréades / Act IV: Entrée de Polymnie - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | G Major | 1 | 9B | 94 BPM | ||
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM |