"Matchmaking" by Ruth Barrett, Jon Wygens had its release date on March 24, 2019. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Matchmaking's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria (Music from the Original TV Series) Vol. 2 & 3 by Ruth Barrett. The song's track number on the album is #18 out of 21 tracks. The popularity of Matchmaking is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Matchmaking by Ruth Barrett, Jon Wygens has a tempo of 163 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Matchmaking being at 163 BPM, the half-time would be 82 BPM with a double-time of 326 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunset Waltz - Orchestral Version | José Manuel Ortega Caballo | A Minor | 2 | 8A | 99 BPM | ||
| whistle stop | sound project | F♯ Minor | 3 | 11A | 110 BPM | ||
| Born To Be Wild | David Schweitzer | C Major | 2 | 8B | 86 BPM | ||
| Mother | Daniel Pemberton | C Major | 1 | 8B | 75 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| A Contract With The Jury | Clinton Shorter | G Major | 0 | 9B | 77 BPM | ||
| Reports from Godmersham | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| Spring Days | Patrick Thomas Hawes | E♭ Major | 2 | 5B | 103 BPM | ||
| Selbourne Wood | Adrian Johnston | A Minor | 1 | 8A | 66 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| Dream | Pino Donaggio | G Minor | 2 | 6A | 140 BPM | ||
| Catherine de' Medici | Bear McCreary | A Minor | 2 | 8A | 94 BPM | ||
| Father | Guy Farley | C Minor | 0 | 5A | 81 BPM | ||
| Flip Wakes Up | Pinar Toprak | E♭ Minor | 2 | 2A | 97 BPM | ||
| Lancelot Leaves | Rohan Stevenson | B♭ Minor | 1 | 3A | 85 BPM | ||
| Lowry’s Theme | Craig Armstrong | D Minor | 2 | 7A | 120 BPM | ||
| Antarctic Mystery | George Fenton, BBC Concert Orchestra | G Major | 1 | 9B | 102 BPM | ||
| Falsas Esperanzas - La Música del Espectáculo "Puy du Fou - España" | Martin Batchelar, Nathan Stornetta | D Major | 2 | 10B | 86 BPM | ||
| The Ascanius | Thomas Newman | G Minor | 2 | 6A | 97 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Whispers in the Shadows | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Tim's First Time | Paul Leonard-Morgan | C Major | 0 | 8B | 80 BPM | ||
| Sonriendo a la Fortuna | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| A Man of My Company | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| Panama Canal | Jon Wygens | E Minor | 2 | 9A | 115 BPM |