"Lo, How a Rose E'er Blooming - Arr. For String Orchestra" by Metamorphose String Orchestra, Pavel Lyubomudrov had its release date on December 16, 2022. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Metamorphose String Orchestra, Pavel Lyubomudrov's "Hark! The Herald Angels Sing" album is number 8 out of 12. On top of that, Italy appears to be the country where this track was created. Lo, How a Rose E'er Blooming - Arr. For String Orchestra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lo, How a Rose E'er Blooming - Arr. For String Orchestra by Metamorphose String Orchestra, Pavel Lyubomudrov to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM | ||
| Violin Concerto in G Minor, Op. 8 No. 8, RV 332: III. Allegro | Antonio Vivaldi, La Serenissima, Adrian Chandler | D Minor | 3 | 7A | 143 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| 12 Romances, Op. 21: No. 7, How Fair This Spot - Arr. for Cello & String Orchestra by P. Lyubomudrov | Sergei Rachmaninoff, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | A Major | 2 | 11B | 93 BPM | ||
| Moonlight Escapade | Paul Mottram | E Minor | 4 | 9A | 105 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Pinocchio: XIII. La bаrса di Geppetto sulle onde | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | A Minor | 2 | 8A | 158 BPM | ||
| String Quartet in F Major, Op. 3, No. 5, Hob. III:17, "Serenade": II. Andante cantabile (arr. L. Stokowski for orchestra) [Attrib. To Hoffstetter] | Joseph Haydn, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 66 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Bagatelle | Philippe Paquet, Quatuor Andara | E Major | 0 | 12B | 50 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | A Major | 0 | 11B | 70 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
| Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM | ||
| Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Red Autumn | Uladzimir Mironchyk, Metamorphose String Orchestra, Pavel Lyubomudrov | D Minor | 3 | 7A | 111 BPM | ||
| Tosca: Vissi d'arte | Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra | E♭ Major | 3 | 5B | 87 BPM | ||
| Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Minuet / VII. Badinerie | Slovak Chamber Orchestra | B Minor | 2 | 10A | 118 BPM | ||
| Dinner - From "The Lady Caliph" | Metamorphose String Orchestra, Ivan Renanskiy, Pavel Lyubomudrov | D Major | 1 | 10B | 87 BPM | ||
| Adoration | Florence Beatrice Price, Philippe Quint, Andrew Litton | G Major | 1 | 9B | 111 BPM | ||
| The Epic Baroque Chamber Orchestra | Rafael Krux, David Krulic | A Minor | 7 | 8A | 150 BPM | ||
| Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM |