Metamorphose String Orchestra, Ivan Renanskiy, Pavel Lyubomudrov's 'Dinner - From "The Lady Caliph"' had a release date set for September 23, 2022. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Dinner (From "The Lady Caliph") and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Dinner - From "The Lady Caliph" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dinner - From "The Lady Caliph" by Metamorphose String Orchestra, Ivan Renanskiy, Pavel Lyubomudrov is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Stowaway (From "Eleanor Quinn - Daughter of the Wind") | Peter Cavallo | E Minor | 1 | 9A | 87 BPM | ||
| Starting Over | Samer Fanek | A Major | 3 | 11B | 115 BPM | ||
| Truman Sleeps - Arr. for Orchestra by David Le Page | Philip Glass, Orchestra of the Swan, David le Page | F Minor | 1 | 4A | 72 BPM | ||
| Some Things Never Change | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin | D♭ Minor | 0 | 12A | 83 BPM | ||
| Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM | ||
| Rondo in F Minor, "Kendall's Journey" - From "Succession" | Metamorphose String Orchestra, Pavel Lyubomudrov | F Minor | 1 | 4A | 148 BPM | ||
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Closer Than Yesterday | Peter Cavallo | F Minor | 2 | 4A | 78 BPM | ||
| Ostuni | Melissa Parmenter | A Minor | 1 | 8A | 59 BPM | ||
| Classic By Design | Paul Mottram | D Major | 3 | 10B | 80 BPM | ||
| Liszt: 12 Lieder von Franz Schubert, S. 558: No. 7, Frühlingsglaube | Franz Liszt, Aimi Kobayashi | A♭ Major | 0 | 4B | 68 BPM | ||
| Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: II. Largo | Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 131 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Martin James Bartlett, Joshua Weilerstein, London Philharmonic Orchestra | E♭ Minor | 2 | 2A | 70 BPM | ||
| Monte Rosa (Adagio in A Minor) | Kristin Amarie, David Lanz, Czech National Symphony Orchestra, Cameron Stone | D Major | 3 | 10B | 116 BPM | ||
| Arabesque | Jeremy Cullen | G Major | 2 | 9B | 84 BPM | ||
| Une amitié | Philippe Rombi | C Major | 2 | 8B | 83 BPM | ||
| Ma mère l'oye, M. 62: Apothéose. Le jardin féerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 62 BPM | ||
| Pelléas et Mélisande: X. Les ombres dans le jardin | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Hymn | Karl Jenkins | F Major | 0 | 7B | 133 BPM | ||
| Fljótavík | Georg Holm, Jon Thor Birgisson, Kjartan Sveinsson, Orri Pall Dyrason, 12 Ensemble | A♭ Major | 1 | 4B | 85 BPM | ||
| fields of forever - solo piano | Chad Lawson | E Minor | 0 | 9A | 65 BPM | ||
| Farewell | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin, Anna Handler | B♭ Minor | 2 | 3A | 111 BPM | ||
| Clair de lune, CD 82/3 (Arr. Parkin & Kaner-Lidström for Saxophone & Ensemble) | Claude Debussy, Jess Gillam, Jess Gillam Ensemble | D♭ Major | 1 | 3B | 77 BPM |