"Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: II. Largo" by Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra had its release date on November 19, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johan Ullén, Johann Sebastian Bach, Christian Svarfvar, London Philharmonic Orchestra's "Infinite Bach" album is number 11 out of 12. Based on our statistics, Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: II. Largo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: II. Largo by Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantilena | Karl Jenkins | C Major | 1 | 8B | 134 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Under the Arctic Moon | Frode Fjellheim, Eldbjørg Hemsing, Arctic Philharmonic | G Major | 4 | 9B | 97 BPM | ||
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major BWV 846/1 | Johann Sebastian Bach, Pierre-Laurent Aimard | B Minor | 0 | 10A | 95 BPM | ||
| Hollow | Cecilia De Maria | E♭ Major | 0 | 5B | 112 BPM | ||
| 33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 101 BPM | ||
| Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 86 BPM | ||
| La Melancolie (Arr. for Violin and Orchestra from Moments of Solitude by Ben Palmer) | Ole Bull, Eldbjørg Hemsing, Arctic Philharmonic | D Minor | 2 | 7A | 91 BPM | ||
| 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
| Circle | Florian Christl, NDR Radiophilharmonie, Ben Palmer | D Minor | 2 | 7A | 90 BPM | ||
| Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
| Hymn | Karl Jenkins | F Major | 0 | 7B | 133 BPM | ||
| 5 Romances: Romance No. 2 'Dusk' | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
| much loved | Rachel Portman | E Major | 0 | 12B | 144 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Helsinki Philharmonic Orchestra, Leif Segerstam | F Major | 0 | 7B | 84 BPM | ||
| Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. Adagio | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | E♭ Minor | 2 | 2A | 77 BPM | ||
| Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: Recomposed by Johan Ullén: Bach, Violin Concerto in G Minor, BWV 1056R: II. Largo | Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 131 BPM | ||
| Epilogue. Into the West - From "The Lord of the Rings" | Howard Shore, Kian Soltani | A Major | 2 | 11B | 84 BPM | ||
| Tempelhof (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Adrien La Marca, Danae Dörken | D Major | 0 | 10B | 69 BPM | ||
| Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
| The Terry Theme From "Limelight" / La Violetera From "City Lights" / Je cherche après Titine From "Modern Times" / Awakening From "Limelight" / Theme From "Modern Times" - CITY MEMORIES | Charlie Chaplin, Jose Padilla Sanchez, Léo Daniderff, Louis Maubon, Claude Bertal, Emile Ronn, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | C Minor | 2 | 5A | 82 BPM | ||
| Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer) | Edvard Grieg, Eldbjørg Hemsing, Arctic Philharmonic | E Major | 1 | 12B | 78 BPM |