Rajendra Vyas's ' "Butati Dham, Pt. 3" was released on its scheduled release date, 2004. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 7 in Butati Dham by Rajendra Vyas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Butati Dham, Pt. 3 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Butati Dham, Pt. 3 by Rajendra Vyas is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aavno Padela | Prakash Mali | A♭ Major | 7 | 4B | 92 BPM | ||
| Mujhe Vrindavan Dham | Chitra Vichitra Ji Maharaj | A♭ Major | 9 | 4B | 83 BPM | ||
| radhe radhe japo chale ayenge bihari | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 8 | 1A | 120 BPM | ||
| Mujhe Kaun Poochhta Tha | Pujya Rajan Ji Official | E♭ Major | 7 | 5B | 111 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Radhe Radhe Govind Govind Radhe | Hita Ambrish | D Major | 7 | 10B | 127 BPM | ||
| Anjani Kumar Teri Mahima | Rajendra Vyas | E Major | 8 | 12B | 103 BPM | ||
| Main Kanuda Teri Govalana | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 5 | 5B | 89 BPM | ||
| Shri Radha Chalisa by Kumar Vishu | Kumar Vishu | E Major | 8 | 12B | 80 BPM | ||
| Har Gyaras Ko | Brijraj Singh Lakkha | D Minor | 8 | 7A | 80 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Mhare Man Ki Baat | Rajni Rajasthani | E Major | 8 | 12B | 152 BPM | ||
| Chali Ja Rahi Hai Umar Dhire Dhire | Pujya Rajan Ji Official | B♭ Minor | 5 | 3A | 135 BPM | ||
| Dharu Charan Kamal Ko Dhyan | Rajendra Vyas | D♭ Minor | 9 | 12A | 104 BPM | ||
| Bolo Bolo Premiyo | Sanjay Parik | D♭ Major | 9 | 3B | 101 BPM | ||
| Sari Duniya Hai Diwani | Sadhvi Purnima Ji | C Minor | 8 | 5A | 100 BPM | ||
| Shree Krishna Chalisa | Kumar Vishu | F♯ Minor | 8 | 11A | 90 BPM | ||
| Ram Kahne Se Tar Jaayega | Prem Bhushan Maharaj | D Major | 4 | 10B | 139 BPM | ||
| Ari Giriraj Vaas Me Paau | Sur Shyam Gaushala Rajendra Das ji Maharaj | F♯ Major | 4 | 2B | 90 BPM | ||
| Mere Sheesh Ke Dani Ka | Pt. Ram Avtar Sharma, Anupama, Rajneesh Sharma | D♭ Major | 8 | 3B | 107 BPM | ||
| Haar Nahi Hogi Baba | Upasana Mehta | E♭ Minor | 8 | 2A | 76 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Mujhe Das Bna Ke Rakh Lena | Dhiraj Kant | B Minor | 9 | 10A | 91 BPM |