"Holberg Suite, Op. 40: II. Sarabande (Version for Strings)" by Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud had its release date on January 1, 2000. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud's "Grieg: Music for Strings" album is number 2 out of 13. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Holberg Suite, Op. 40: II. Sarabande (Version for Strings) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holberg Suite, Op. 40: II. Sarabande (Version for Strings) by Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Simon Rattle, Berliner Philharmoniker | F Major | 1 | 7B | 137 BPM | ||
| Two Swans for Cello, Clarinet and Orchestra after "The Swan" from "The Carnival of the Animals", R. 125 | Camille Saint-Saëns, Daniel Ottensamer, Stephan Koncz | A Minor | 0 | 8A | 81 BPM | ||
| Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | ||
| Prélude à ‘L’Après-midi d’un Faune’, L. 86 | Claude Debussy, Jorge Mester, Melbourne Symphony Orchestra | B Major | 0 | 1B | 84 BPM | ||
| Pavane Pour Une Infante Defunte, M.19 (Arr. for Oboe & Orchestra) | Maurice Ravel, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | F♯ Minor | 1 | 11A | 88 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
| Underneath the Stars | Herbert Spencer, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | E♭ Major | 1 | 5B | 100 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: VII. Notturno. Con moto tranquillo | Felix Mendelssohn, Orpheus Chamber Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Sicilienne | Donald Sosin, Maria Theresia von Paradis, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 72 BPM | ||
| Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Borodin Quartet | F Major | 0 | 7B | 129 BPM | ||
| Sibelius: Impromptu for String Orchestra (From Impromptu, Op. 5) | Jean Sibelius, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | A Major | 4 | 11B | 98 BPM | ||
| Cello Concerto in B-Flat Major, G. 482: II. Adagio non troppo (Arr. F. Grützmacher) | Luigi Boccherini, Ludovit Kanta, Capella Istropolitana, Peter Breiner | G Minor | 0 | 6A | 89 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM | ||
| Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | F♯ Minor | 3 | 11A | 178 BPM | ||
| Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A♭ Minor | 1 | 1A | 82 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Czech Suite, Op. 39: I. Preludium. Pastorale | Antonín Dvořák, Janáček Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM |