"Romeo Et Juliette: Danse Des Chevaliers" by Les Chœurs De L'armée Rouge had its release date on June 13, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Les Chœurs De L'armée Rouge, National du Thèâtre du Bolchoï, The National Tatarstan Orchestra's "La Légende des Tsars" album is number 2 out of 20. On top of that, France appears to be the country where this track was created. In terms of popularity, Romeo Et Juliette: Danse Des Chevaliers is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo Et Juliette: Danse Des Chevaliers by Les Chœurs De L'armée Rouge to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
| La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
| Saint-Saëns - Aquarium from the Carnival of the Animals | James Strange | A Minor | 2 | 8A | 67 BPM | ||
| Serenade for Strings in E, Op.22: 2. Tempo di valse | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 61 BPM | ||
| Gavotte | Jean-Baptiste Lully, Yeonsun Joo, Jay JungJae Moon | A Minor | 1 | 8A | 80 BPM | ||
| Winter 1 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Minor | 6 | 4A | 151 BPM | ||
| Gnossienne: No. 3 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 113 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 6 | 6B | 124 BPM | ||
| Raymonda, Act III: Variation 4, Raymonda | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Minor | 1 | 7A | 110 BPM | ||
| Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
| La Bayadere, Act I, Scene 1: 3. "Veil Dance" | Evergreen Symphony Orchestra, Kevin Galiè | E Major | 0 | 12B | 87 BPM | ||
| Vivaldi 4 Seasons, Summer 3 - Presto | Manuele Cid | C Minor | 1 | 5A | 142 BPM | ||
| La Bayadere, Act II: 36. "Variations Nikiya; Snake, and Finale" | Evergreen Symphony Orchestra, Kevin Galiè | C Major | 2 | 8B | 135 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | E Major | 1 | 12B | 102 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| La Esmeralda, Act 1, Esmeralda Variation | Cesare Pugni, MetodoVadim | F Minor | 2 | 4A | 87 BPM | ||
| Maskarade: Waltz - Version for Piano | Aram Khachaturian, Murray McLachlan | C Major | 1 | 8B | 93 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Simone Stella | D Minor | 1 | 7A | 90 BPM | ||
| Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
| Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | ||
| Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM | ||
| Suite gothique, Op. 25: IV. Toccata in C Minor | Léon Boëllmann, Willibald Guggenmos | B♭ Major | 1 | 6B | 102 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM |