"Impromptu-Caprice, Op. 9" by Gabriel Pierné, Judy Loman had its release date on October 1, 2005. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Romantic Harp (The)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Impromptu-Caprice, Op. 9 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Impromptu-Caprice, Op. 9 by Gabriel Pierné, Judy Loman having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La vida breve: Danza española No. 1 (Arr. for Harp) | Manuel de Falla, Judy Loman | A Minor | 1 | 8A | 92 BPM | ||
| Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
| Le tombeau de Couperin: 4. Rigaudon (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | ||
| Harp Concerto in C Major, Op. 6, No. 1: II. Andantino poco allegretto | Ernst Eichner, Silke Aichhorn, Kurpfälzisches Kammerorchester, Stefan Fraas | F Major | 0 | 7B | 134 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Milhaud: Sonatina for Flute and Piano, Op. 76: I. Tendre | Darius Milhaud, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 82 BPM | ||
| Black Swan: Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major) [After Brahms' 6 Piano Pieces, Op. 118, No. 2. Intermezzo in A Major] | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 3 | 9B | 80 BPM | ||
| Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 24, Soir lumineux | Charles Koechlin, Nicola Woodward | D♭ Major | 0 | 3B | 64 BPM | ||
| ボロディン:ダッタン人の踊り | Bolodin, Emiri Miyamoto | F♯ Minor | 2 | 11A | 79 BPM | ||
| Valse romantique, L. 71 (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
| Sonata, K. 14 – Presto | Domenico Scarlatti, Judy Loman | C Major | 1 | 8B | 96 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Fantaisie sur un thème de Haydn, Op. 31 | Marcel Grandjany, Judy Loman | G Major | 1 | 9B | 110 BPM | ||
| Sonata For Harp - Massig Schnell | Judy Loman | B Major | 0 | 1B | 98 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Consolation No. 3 | Ieuan Jones | D♭ Major | 0 | 3B | 135 BPM | ||
| Impromptu-caprice, Op. 9 | Gabriel Pierné, Yolanda Kondonassis | A♭ Major | 1 | 4B | 84 BPM | ||
| Aria in Classic Style, Op. 19 | Marcel Grandjany, Hae Joo Hahn, Sang-Eil Shin | G Major | 0 | 9B | 125 BPM | ||
| Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | E Minor | 0 | 9A | 77 BPM | ||
| Gymnopedie No. 1 (Arr. for Harp) | Erik Satie, Ellen Bødtker | G Major | 0 | 9B | 85 BPM | ||
| Ten Pieces, Op. 12: VII. Prelude in C Major (arr. For harp) [Version for harp] | Sergei Prokofiev, Judy Loman | F Major | 1 | 7B | 137 BPM | ||
| Classical Suite: VII. Gigue | Lynn Palmer, Judy Loman | G Major | 3 | 9B | 100 BPM | ||
| 3 Gymnopedies (arr. D. Sosin): Gymnopedie No. 1 (arr. for flute and harp) | Erik Satie, Donald Sosin, Nora Shulman, Judy Loman | G Major | 0 | 9B | 72 BPM |