String Quartet No. 14 in C-Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): I. Adagio, ma non troppo e molto espressivo - Live by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein Song Details

"String Quartet No. 14 in C-Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): I. Adagio, ma non troppo e molto espressivo - Live" by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein had its release date on January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Beethoven: String Quartet No.14 in C Sharp Minor, Op.131; String Quartet No.16 in F, Op.135 by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. String Quartet No. 14 in C-Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): I. Adagio, ma non troppo e molto espressivo - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of String Quartet No. 14 in C-Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): I. Adagio, ma non troppo e molto espressivo - Live by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 31%
Loudness: -23.41 dB
Acousticness: 94%
Danceability: 9%
Energy: 8%
Instrumentalness: 91%
Liveness: 15%
Loudness: 61%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Introduction et Rondo capriccioso, Op.28, R. 188	Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta	A Minor	1	8A	103 BPM
Prelude in C-Sharp Minor, Op. 3, No. 2	Ian Hobson	A Major	1	11B	104 BPM
24 Préludes, Op. 28: 4. In E Minor	Frédéric Chopin, Maurizio Pollini	G Minor	2	6A	120 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	A♭ Minor	3	1A	104 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	G Major	2	9B	166 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	F Minor	0	4A	85 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	F Major	0	7B	91 BPM
Nuages gris "Trübe Wolken", S. 199	Franz Liszt, Krystian Zimerman	D Minor	0	7A	68 BPM
Piano Concerto in A minor, Op. 16: II. Adagio	Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	0	3B	77 BPM
Farandole	Georges Bizet, Semyon Bychkov, Wiener Philharmoniker	G Major	5	9B	156 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846	Daniel Barenboim	C Major	0	8B	95 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle	E Minor	1	9A	102 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Egmont, Op. 84: Beethoven: Egmont-Overture	Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons	F Minor	1	4A	87 BPM
String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante	Ludwig van Beethoven, Takács Quartet	A♭ Minor	0	1A	87 BPM
Symphony No.2 In D, Op.36: 2. Larghetto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	143 BPM
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	141 BPM
Etude Op. 10 no. 1 in C Major	Valentina Lisitsa	C Major	2	8B	88 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic	F Major	6	7B	154 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Violin Sonata: I. Moderato assai	Leonard Bernstein, Opus Two	C Major	1	8B	117 BPM
12 Études, Op. 10: No. 12 in C Minor "Revolutionary"	Frédéric Chopin, Maurizio Pollini	C Minor	2	5A	103 BPM