Introduction et Rondo capriccioso, Op.28, R. 188 by Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta Song Details

Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta's 'Introduction et Rondo capriccioso, Op.28, R. 188' had a release date set for January 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Saint-Saens: Le Carnaval des Animaux; Organ Symphony". In this album, this song's track order is #16. In terms of popularity, Introduction et Rondo capriccioso, Op.28, R. 188 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Introduction et Rondo capriccioso, Op.28, R. 188 by Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 26%
Loudness: -23.004 dB
Acousticness: 88%
Danceability: 37%
Energy: 14%
Instrumentalness: 47%
Liveness: 6%
Loudness: 62%
Speechiness: 4%
Valence: 30%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30	Henri Vieuxtemps, Roberto Díaz, Robert Koenig	F Minor	1	4A	88 BPM
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	59 BPM
Sarasate: Introduction et Tarantelle, Op. 43	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	G Major	2	9B	117 BPM
Sir John in Love: Fantasia on Greensleeves	Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien	C Minor	1	5A	105 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento	Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein	D Minor	3	7A	113 BPM
Praeludium and Allegro (In the Style of Pugnani) - Instrumental	Midori, Robert McDonald	E Minor	1	9A	84 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo	Antonín Dvořák, New York Philharmonic, Alan Gilbert	D♭ Major	0	3B	87 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	1	12B	82 BPM
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara)	Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra	D Major	2	10B	74 BPM
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	G Major	2	9B	90 BPM
Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	C Major	2	8B	84 BPM
10 Preludes, Op. 23: No. 5. Alla marcia in G Minor	Sergei Rachmaninoff, Nikolai Lugansky	G Minor	2	6A	106 BPM
Schön Rosmarin	Fritz Kreisler, Ray Chen, Julien Quentin	G Major	2	9B	104 BPM
Vivaldi: L'estro armonico, Violin Concerto in A Minor, Op. 3 No. 6, RV 356: I. Allegro	Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra	A Minor	3	8A	98 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Erlkönig, S.558 No. 4 (after Schubert D.328)	Franz Liszt, Valentina Lisitsa	G Minor	2	6A	66 BPM
Chaminade: Flute Concertino, Op. 107	Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris	D Major	1	10B	83 BPM
Violin Concerto No. 2 in G Minor, Op.63: II. Andante assai - Allegretto	Sergei Prokofiev, Itzhak Perlman, Gennady Rozhdestvensky, BBC Symphony Orchestra, Nickolas Ashford	A♭ Major	5	4B	120 BPM
Hungarian Dance No. 1 in G Minor, WoO 1	Johannes Brahms, Budapest Festival Orchestra, Iván Fischer	G Minor	2	6A	115 BPM
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro	Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman	D Minor	4	7A	96 BPM
Scherzo-Tarantelle, Op. 16	Henryk Wieniawski, Kyung Wha Chung, Phillip Moll	D Major	2	10B	107 BPM
Paradis: Sicilienne 파라디스 시실리안느	김준영	E♭ Major	0	5B	137 BPM
Piano Concerto No. 23 in A Major, K. 488: I. Allegro (Cadenza by Busoni)	Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini	A Major	1	11B	140 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Chant du Ménestrel, Op. 71	Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa	B Minor	0	10A	82 BPM