スペイン民謡, 森本恵夫's ' "追憶(スペイン民謡)" was released on its scheduled release date, September 4, 2013. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. 追憶(スペイン民謡)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in わが心のハーモニカ 70, so we believe that "追憶(スペイン民謡)" is a single. 追憶(スペイン民謡) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 追憶(スペイン民謡) by スペイン民謡, 森本恵夫 is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lob der Traenen | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Jazz Sonatina: II. Adagio Espressivo | Thibault Cauvin | E Minor | 0 | 9A | 70 BPM | ||
| Castillos de España: Torija | Federico Moreno Torroba, John Oeth | D Major | 0 | 10B | 86 BPM | ||
| Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Danny Yeh | A Major | 1 | 11B | 63 BPM | ||
| Lush Life (arr. for 2 guitars by John W Duarte) | Francisco Correa, Daniela Rossi | G Major | 0 | 9B | 133 BPM | ||
| Torija | Federico Moreno Torroba, Émilie Fend | D Major | 0 | 10B | 73 BPM | ||
| Italian Coffee: No. 3, L'ultimo caffè insieme | Simone Iannarelli, Xuanxuan Sun | B Minor | 1 | 10A | 135 BPM | ||
| Brimborion, Op. 11: Romance sans paroles | Jaime Bosch, Alexandra Whittingham | A Minor | 0 | 8A | 128 BPM | ||
| When the White Lilacs Bloom Again (Arr. T. Ippo) | Franz Doelle, Tsuboi Ippo, Sachiko Miyashita | G Major | 4 | 9B | 150 BPM | ||
| Fernando Sor : Variaciones sobre un tema de ''la flauta magica'', de mozart | Renata Tarragó | F Major | 3 | 7B | 122 BPM | ||
| Coming Back | Victor Villadangos | E Minor | 1 | 9A | 103 BPM | ||
| Cançó i dansa No. 10 (Version for Guitar): II. Dansa. Amabile | Federico Mompou, Eugenio Della Chiara | D Major | 2 | 10B | 109 BPM | ||
| Serie Americana: Tonada | Hector Ayala, Victor Villadangos | A Major | 1 | 11B | 123 BPM | ||
| The Mad Lover: V. Aire. Ground | John Eccles, John Eccless, Pierluigi Colangelo | F Minor | 2 | 4A | 119 BPM | ||
| De Visée / Transcr. Garcia: Pèces de théorbe et de luth, Suite en la mineur: I. Prélude | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 85 BPM | ||
| Ojos brujos (Bewitching Eyes) | Leo Brouwer, Marco Tamayo | A Minor | 0 | 8A | 111 BPM | ||
| Libero | Pablo Briceño, Sam Desmet | B Minor | 2 | 10A | 144 BPM | ||
| Fandanguillo, Op. 36 - arr. for Guitar | Joaquín Turina, Ernesto Bitetti | E Minor | 1 | 9A | 91 BPM | ||
| Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Park Kyuhee | A Major | 1 | 11B | 119 BPM | ||
| Suite del Plata No. 1: III. Milonga | Maximo Diego Pujol, Nick Cutroneo | C Major | 3 | 8B | 122 BPM | ||
| Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle I: No. 3, Sindbads Reise [Sinbad's Journey] | Carlo Domeniconi, Celil Refik Kaya | A Major | 1 | 11B | 99 BPM | ||
| Ruiz-Pipó: Canción y Danza No. 1: Canción | Antonio Ruiz Pipó, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Albumsblade No. 43: Humoreske | Frederik Rung, Alexandra Whittingham | E Minor | 2 | 9A | 118 BPM | ||
| Bardenklange, Op. 13: Lied ohne Worte (Song without Words) | Johann Kaspar Mertz, Adam Holzman | A Major | 0 | 11B | 86 BPM | ||
| Carcassi Op.26 N.4 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 3 | 8A | 140 BPM |