- BPM
- 117
- Key
- F Major
- Camelot
- 7B
Safe At Home - Remastered 1992 by André Previn, Russ Freeman Song Details
"Safe At Home - Remastered 1992" by André Previn, Russ Freeman had its release date on January 1, 1957. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 7 out of 9 in Double Play! (Remastered 1992) by André Previn, Russ Freeman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Safe At Home - Remastered 1992 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Safe At Home - Remastered 1992 by André Previn, Russ Freeman is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.279 dB
- Acousticness
- 98%
- Danceability
- 52%
- Energy
- 6%
- Instrumentalness
- 67%
- Liveness
- 21%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | |
 | Coppelia Waltz | Léo Delibes, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 89 BPM | |
 | Don Quixote: Act I: Coda: Basilio and Quiteria make their escape | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 2 | 10B | 167 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | 8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | |
 | On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | |
 | Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | |
 | Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | |
 | 12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 2 in G Minor for solo violin, RV315 "L'Estate": 3. Presto | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | C Minor | 5 | 5A | 152 BPM | |
| Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | |
 | Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | |
 | The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | |
 | The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | |
 | Ein Sommernachtstraum, Op. 61, MWV M13: Act III: Nocturne | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | E Major | 0 | 12B | 59 BPM | |
 | Don Quixote, Act 3: Kitri's Solo (Arr. John Lanchbery) | John Lanchbery, Ludwig Minkus, State Orchestra Of Victoria | E♭ Major | 1 | 5B | 112 BPM | |
 | Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | |
 | Carmina Burana (Cantiones Profanae): Fortune Plango Vulnera | Carl Orff, Eugene Ormandy, Philadelphia Orchestra, The Rutgers University Choir, Harve Presnell, Janice Harsanyi, Rudolf Petrak | D Minor | 2 | 7A | 87 BPM | |
 | Midsummer Night's Dream, Op. 61: No. 9, Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | |
| Giselle, Act 1: No. 1 Pheasants' Entrance, Entrance of Hilarion | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | |
 | 13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | |
 | Schwanensee, Ballettsuite op. 20 a - IV. Pas d'action | Symphonic Festival Orchestra, Denise Cloutier | E♭ Minor | 0 | 2A | 105 BPM | |
 | Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | |
 | Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | |
 | Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM |
- ISRC
- USFI85700752
- Label
- L-M Records/RCA Records