"Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII" by Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra had its release date on 2004. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rachmaninov : Rhapsody on a Theme of Paganini". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII by Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | F Major | 1 | 7B | 104 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| The Well-Tempered Clavier I, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Lang Lang | C Major | 1 | 8B | 134 BPM | ||
| Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
| Études-tableaux, Op. 39: No. 5, Appassionato | Sergei Rachmaninoff, Boris Giltburg | E♭ Minor | 1 | 2A | 66 BPM | ||
| Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic | C Minor | 1 | 5A | 79 BPM | ||
| Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
| Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
| Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
| Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
| Nocturne No. 20 In C Sharp Minor, Op. Posth. (Arr. G. Piatigorsky): Nocturne No. 20 In C Sharp Minor, Op. Post., Bi 49 | Gregor Piatigorsky, Maria Kliegel, Bernd Glemser, Frédéric Chopin | D♭ Minor | 1 | 12A | 80 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | ||
| Concerto For Piano & Orchestra - Movement 1 - The Smile | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | E♭ Major | 2 | 5B | 100 BPM | ||
| Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 88 BPM | ||
| Prelude In G Minor Op. 23 No. 5 | Vladimir Horowitz | G Minor | 3 | 6A | 112 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: III. Allegro assai | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 135 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| 6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM |