On November 20, 2005, the song "Deep Winter Blues" was released by Chris Rea. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Blue Guitars VII - Blues Ballads by Chris Rea. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Deep Winter Blues is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Deep Winter Blues by Chris Rea is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lampiou | Chris Rea | A Minor | 5 | 8A | 126 BPM | ||
| Night for the Lonely | Maria Daines | A Minor | 4 | 8A | 170 BPM | ||
| Don't Cry for No Hipster | Ben Sidran | F Minor | 3 | 4A | 100 BPM | ||
| The Copenhagen Cavern | Kari Bremnes | B Minor | 3 | 10A | 80 BPM | ||
| The Mention of Your Name | Chris Rea | A Minor | 2 | 8A | 181 BPM | ||
| I Could Get Used to This (Bumpin') | Claire Martin, Jim Mullen | C Minor | 2 | 5A | 184 BPM | ||
| Sound of Us | Rebekka Bakken | A♭ Major | 2 | 4B | 126 BPM | ||
| Waitin' On The Day | Connor Selby | C Major | 3 | 8B | 112 BPM | ||
| Waltz With Me Under The Sun - From "Queen Of Carthage" | Kristina Train | D Minor | 1 | 7A | 106 BPM | ||
| I’m Hollow | Bleeding Strings | D Major | 3 | 10B | 118 BPM | ||
| I Love You More Than You'll Ever Know | Beth Hart, Joe Bonamassa | D♭ Major | 5 | 3B | 94 BPM | ||
| Down in His Room | Mike Andersen | G Minor | 4 | 6A | 154 BPM | ||
| Next Time You Call | Mike Andersen | E Minor | 4 | 9A | 96 BPM | ||
| To the Bar and Back | Nighthawks | A Minor | 5 | 8A | 113 BPM | ||
| A Missed Moment | CAELIS BABYLON | A Minor | 4 | 8A | 76 BPM | ||
| Hold On | Robert Cray, The Robert Cray Band | B♭ Minor | 2 | 3A | 182 BPM | ||
| She's Not There Anymore | Delbert McClinton & The Dick50 | D Major | 4 | 10B | 178 BPM | ||
| I'll Play the Blues for You | Gregor Hilden | A Minor | 3 | 8A | 79 BPM | ||
| Train Out of Hollywood | Keb' Mo' | D♭ Major | 2 | 3B | 179 BPM | ||
| Loopy Ave. | Kurt Maloo, Double, Pit Baumgartner | D Minor | 6 | 7A | 120 BPM | ||
| When Promises Break | CAELIS | E Minor | 2 | 9A | 126 BPM | ||
| I'm Still in Love with You | Jimmie Vaughan | D♭ Major | 2 | 3B | 95 BPM | ||
| Throw It Away | Ayọ | B♭ Major | 3 | 6B | 112 BPM | ||
| I Don't Explain | Owen James | G Major | 6 | 9B | 96 BPM | ||
| We'll Meet Again (2007 Remaster) | John Lee Hooker | C Major | 4 | 8B | 135 BPM |