John Rutter, Amanda Sidebottom, Lucy Fitz Gibbon, Derek Greten-Harrison, Arianne Abela, Etherea Vocal Ensemble, Grace Cloutier's 'Dancing Day: No. 8, Tomorrow shall be my dancing day' had a release date set for November 1, 2011. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Dancing Day: No. 8, Tomorrow shall be my dancing day's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 26 in Ceremony of Carols by Etherea Vocal Ensemble, Grace Cloutier. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Dancing Day: No. 8, Tomorrow shall be my dancing day is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dancing Day: No. 8, Tomorrow shall be my dancing day by John Rutter, Amanda Sidebottom, Lucy Fitz Gibbon, Derek Greten-Harrison, Arianne Abela, Etherea Vocal Ensemble, Grace Cloutier is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Sapientia | Margaret Rizza, The Sixteen, Harry Christophers | B Minor | 1 | 10A | 121 BPM | ||
| The Shepherd's Carol | Bob Chilcott, Academy Chamber Choir of Uppsala, Stefan Parkman | D Major | 0 | 10B | 65 BPM | ||
| Dancing Day: No. 4, Personent hodie | John Rutter, Amanda Sidebottom, Lucy Fitz Gibbon, Derek Greten-Harrison, Arianne Abela, Etherea Vocal Ensemble, Grace Cloutier | E♭ Major | 0 | 5B | 98 BPM | ||
| Ave Regina caelorum | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Maria Durch Ein Dornwald Ging | Gottfried Wolters, Bavarian Radio Chorus, Michael Gläser | G Minor | 0 | 6A | 111 BPM | ||
| Quatre Motets pour le temps de Noël pour choeur mixte a cappella, FP152: Quem vidistis pastores | The Sixteen, Harry Christophers | A Major | 2 | 11B | 76 BPM | ||
| Have Yourself a Merry Little Christmas | Cantus | E Major | 1 | 12B | 74 BPM | ||
| Quatre Motets pour le temps de Noël pour choeur mixte a cappella, FP152: Hodie Christus natus est | The Sixteen, Harry Christophers | E♭ Major | 1 | 5B | 132 BPM | ||
| A Christmas Carol | Charles Ives, Paul Hillier, Theatre Of Voices | F Major | 0 | 7B | 79 BPM | ||
| Hark! The Herald Angels Sing: Festgesang, MWV D4, "Gutenberg-Kantate": No. 2, (adap. W.H. Cummings as Hark! The Herald Angels Sing) [arr. D. Willcocks for choir] [Arr. D. Willcocks] | Felix Mendelssohn, Trinity Church Choir, New York | G Major | 1 | 9B | 84 BPM | ||
| What Is This Lovely Fragrance? | Robert Shaw, Robert Shaw Chamber Singers | D♭ Major | 0 | 3B | 82 BPM | ||
| O Little One Sweet | Johann Sebastian Bach, The Choir Of Trinity College, Cambridge, Richard Marlow | G Major | 0 | 9B | 76 BPM | ||
| Mary's Boy Child (Arr. J. Rutter) | Jester Hairston, Melanie Marshall, Royal Philharmonic Orchestra, John Rutter | D Major | 0 | 10B | 70 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Melchior Vulpius, Ensemble Pro Victoria, Toby Ward | E♭ Major | 2 | 5B | 109 BPM | ||
| A Shepherd's Carol | Benjamin Britten, Simon Birchall, Neil MacKenzie, Deborah Miles-Johnson, Carys Lane, Harry Christophers | D Minor | 0 | 7A | 123 BPM | ||
| Lullaby My Sweet Little Babe | William Byrd, The Sixteen, Harry Christophers | G Major | 1 | 9B | 107 BPM | ||
| Sing Lullaby | Robert Shaw, Robert Shaw Chamber Singers | G Minor | 1 | 6A | 77 BPM | ||
| Here is the little door | Herbert Howells, The Choir Of Trinity College, Cambridge | G Major | 0 | 9B | 76 BPM | ||
| Silent Night (Stille Nacht) [arr. M. Sargent] | Franz Xaver Gruber, Dale Warland Singers, Dale Warland | D♭ Major | 0 | 3B | 76 BPM | ||
| Hodie Christus natus est | William Byrd, The Queen's Six | D Minor | 1 | 7A | 113 BPM | ||
| Christ Is Born: Bells / Ode 1 | Georgiy Izvekov, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Major | 1 | 6B | 135 BPM | ||
| The Shepherd's Carol | Anonymous, Robert Chilcott, Choir of King's College, Cambridge, Stephen Cleobury, Daniel Hyde | D Major | 0 | 10B | 83 BPM | ||
| And All The Stars Looked Down | Alan Bullard, Gilbert Keith Chesterton, The Sixteen / Harry Christophers, Harry Christophers | D Minor | 1 | 7A | 71 BPM | ||
| Nowell sing we now | The King's Singers | A♭ Major | 1 | 4B | 131 BPM | ||
| Lo! He Slumbers | Cecilia McDowall, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM |