"And All The Stars Looked Down" by Alan Bullard, Gilbert Keith Chesterton, The Sixteen / Harry Christophers, Harry Christophers had its release date on October 7, 2016. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. And All The Stars Looked Down's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Song of the Nativity". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. And All The Stars Looked Down is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With And All The Stars Looked Down by Alan Bullard, Gilbert Keith Chesterton, The Sixteen / Harry Christophers, Harry Christophers having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| O Lord, Be Gracious Unto Us | Drew Roth, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Good Christians All Rejoice and Sing | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| All-Night Vigil, Op. 37: XII. Glory to God in the Highest | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Bryan Pinkall | E Minor | 4 | 9A | 94 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Goodnight Moon | Eric Whitacre, Adrian Kirtley, 2022 Chamber, Timber Creek HS Chamber | G Major | 1 | 9B | 132 BPM | ||
| Karjased, oh öelge meile | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 2 | 9B | 81 BPM | ||
| Circus Skills for Trumpet - Piano Solo Version | Alan Bullard, Helen Reid | F Minor | 1 | 4A | 131 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
| The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | ||
| Love One Another | John Bell, The Cathedral Singers | D Major | 2 | 10B | 85 BPM | ||
| The Spacious firmament - SSAATTBB | Alan Bullard, Joseph Addison, Oxford University Press, Commotio Chamber Choir, Matthew Berry | A Minor | 1 | 8A | 74 BPM | ||
| Requiem, Op. 9: VII. Lux aeterna | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
| 7 Magnificat Antiphons: No. 1. O Weisheit | Arvo Pärt, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 73 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| 4 Motets sur des thèmes grégoriens, Op. 10: No. 4, Tantum Ergo | Maurice Duruflé, Westminster Williamson Voices, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Mathias: A Babe Is Born | William Mathias, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | A Minor | 2 | 8A | 83 BPM | ||
| Sancta et immaculata: I. Sancta et immaculata | Francisco Guerrero, El León de Oro, Peter Phillips | F♯ Minor | 1 | 11A | 95 BPM | ||
| Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM |