Continuum's 'Welcome Revolution' had a release date set for October 5, 2009. Welcome Revolution is considered explicit and may contain foul language. This song is about 3 minutes and 29 seconds, which is about the average length of a typical song. There are a total of 11 in the song's album "Till It Bleeds". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Welcome Revolution's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Welcome Revolution by Continuum having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Scene Is Clean | Continuum, Jimmy Heath, Kenny Barron, Slide Hampton, Ron Carter, Art Taylor | B Minor | 3 | 10A | 177 BPM | ||
| Motorboy's Fate | Stewart Copeland | A Major | 2 | 11B | 166 BPM | ||
| Letters Never Sent | Saint Matthew Church of Administration | C Major | 1 | 8B | 64 BPM | ||
| Sonata In E Minor BWV1034 | Johann Sebastian Bach, Elizabeth Walker, Continuum | E Minor | 1 | 9A | 109 BPM | ||
| Resoluciones | Almas Paralelas | E♭ Minor | 2 | 2A | 98 BPM | ||
| My Black Flower | Sonny Phillips | C Minor | 1 | 5A | 100 BPM | ||
| Always Be Closing | Continuum | E Minor | 9 | 9A | 173 BPM | ||
| Memories of Green | Blade Runner Soundtrack/The New American Orchestra | D Major | 1 | 10B | 131 BPM | ||
| Germination | Ryuichi Sakamoto | D Major | 0 | 10B | 80 BPM | ||
| Praises and Prayers: Jerusalem, my happy home (txt. St. Augustine) | Virgil Thomson, Ellen Lang, Joel Sachs, Continuum | D Major | 1 | 10B | 79 BPM | ||
| O Último Adeus | Rodrigo Leão | B Major | 1 | 1B | 62 BPM | ||
| Somewhere In Time - Main Theme | John Barry | C Major | 1 | 8B | 81 BPM | ||
| The Secret | Daniel Diaz | F Major | 5 | 7B | 121 BPM | ||
| Set of 5: II. Allegro | Henry Cowell, Marilyn Dubow, Gordon Gottlieb, Joel Sachs, Continuum | C Major | 2 | 8B | 131 BPM | ||
| Stan And Stella | Alex North | F Major | 1 | 7B | 66 BPM | ||
| Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
| Borderline - Studio Version | Continuum | B Major | 8 | 1B | 105 BPM | ||
| Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | ||
| Dark Mood Woods / The Red Room | Angelo Badalamenti, David Lynch | C Minor | 0 | 5A | 140 BPM | ||
| Toada e desafio | Quinteto Da Paraíba | D Minor | 2 | 7A | 141 BPM | ||
| Lamenta | Mark Snow | D Minor | 1 | 7A | 71 BPM | ||
| After Tonight | George S. Clinton | D Minor | 2 | 7A | 119 BPM | ||
| Gedanken über der Zeit | Paul Fleming, Continuum, Robert Gwisdek | D Major | 1 | 10B | 170 BPM | ||
| Check Your Messages | Jeff Beal | F Major | 3 | 7B | 91 BPM | ||
| Childhood Drama | Éric Serra | C Major | 1 | 8B | 146 BPM |