Purvi Parikh, Ustad Sultan Khan's ' "Mora Piya Bawra" was released on its scheduled release date, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Saiyyan". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Mora Piya Bawra's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mora Piya Bawra by Purvi Parikh, Ustad Sultan Khan having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chitta Chora Yashoda Ke Bal | Sri Sathya Sai Bhajans | D Major | 5 | 10B | 119 BPM | ||
| Shloka - Vasudev Sutam Devam | Ashit Desai, Hema Desai | G Major | 1 | 9B | 60 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Payoji Maine Sai Ratan | Paras Jain | C Minor | 7 | 5A | 81 BPM | ||
| Kala Che Paktia Ta Zam - کله چې پکتيا ته ځم | اهنگ مشهور که همه پشت شان میگردد | Ghazalyat | G Major | 5 | 9B | 99 BPM | ||
| Om Shri Radhayai Namah | Pure Bhakti Melody | D♭ Minor | 5 | 12A | 80 BPM | ||
| Shahar e Khamosh شهر خاموش | Ahmad Wali | F Minor | 7 | 4A | 120 BPM | ||
| Jumba to darti he | Salil Kulkarni | G Major | 4 | 9B | 154 BPM | ||
| Shloka | Shailendra Kumar | F Major | 4 | 7B | 93 BPM | ||
| Shiv Amrit Ki Dhara | Aavya Dubey | D♭ Major | 5 | 3B | 126 BPM | ||
| Pehlan Kinna Chahundi Hundi Si | Kuldeep Rasila, Lal Kamal, Major Khokhar Wala | B♭ Minor | 6 | 3A | 103 BPM | ||
| Thandi Thandi Chandi | Ranu Mukherjee | D Major | 3 | 10B | 123 BPM | ||
| Transcendental Flow | Mayapuris, MayapurTV Music | D♭ Minor | 4 | 12A | 100 BPM | ||
| Suniye Manmohan Bhajan | Pandit Pradeep Ji Mishra | D♭ Minor | 4 | 12A | 118 BPM | ||
| Radhe Radhe Govinda Kirtan | Acyuta Gopi | B♭ Minor | 7 | 3A | 79 BPM | ||
| Gurudev Tumhari | Anandmurti Gurumaa | D Major | 6 | 10B | 156 BPM | ||
| Jo Mere Pritam Se Preet Kare | Satsangee, Subhabrata Mandal | E Major | 2 | 12B | 130 BPM | ||
| Bhajo Radhe Shyam | Pamela Jain | D Major | 2 | 10B | 77 BPM | ||
| Sraavya Sadhanamu | RAMESH hOSANNA MINISTRIES | G Minor | 6 | 6A | 127 BPM | ||
| Rudrashtakam (Shiv Stuti) | Pujya Shri Indresh Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | G Major | 2 | 9B | 114 BPM | ||
| Kanha Bahut Sataye Hai | Madhushree, Nancy Thakkar, Poonam Thakkar | A♭ Major | 5 | 4B | 95 BPM | ||
| Budhwa Beiman Kinela Choli Patohiya Ke | Bharat Sharma Vyas | B♭ Major | 7 | 6B | 117 BPM | ||
| Sojugada Sooju Mallige (Instrumental) | Peri Thyagaraju | C Major | 4 | 8B | 110 BPM | ||
| Sansaar Ke Logon Se | Rajeev Singh | C Minor | 6 | 5A | 88 BPM | ||
| PEDAKAN | Minhaj Mukhtar, Rahmin Baloch | F♯ Major | 7 | 2B | 135 BPM |