"3.9_2-1-was-you.dts" by Mac Quayle had its release date on September 13, 2019. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mac Quayle's "Mr. Robot, Vol. 6 (Original Television Series Soundtrack)" album is number 21 out of 23. On top of that, United States appears to be the country where this track was created. 3.9_2-1-was-you.dts is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3.9_2-1-was-you.dts by Mac Quayle to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Analog vs Digital | Jed Palmer | A Major | 6 | 11B | 115 BPM | ||
| Daten für MRX | Michael Kamm | D Minor | 2 | 7A | 185 BPM | ||
| Ambush | Daniel L.K. Caldwell | C Major | 1 | 8B | 88 BPM | ||
| 2.9_4-silentobserver.webm | Mac Quayle | A♭ Minor | 2 | 1A | 81 BPM | ||
| A Cabin On The Lake | Jed Kurzel | D Major | 0 | 10B | 65 BPM | ||
| Life Interrupted | Paul Haslinger | G Major | 0 | 9B | 66 BPM | ||
| Are You Receiving? | Clint Mansell | G Major | 3 | 9B | 137 BPM | ||
| Host City | Ramin Djawadi | F Minor | 3 | 4A | 124 BPM | ||
| The Transported Man | The Prestige | E Major | 1 | 12B | 127 BPM | ||
| Thus Speak Thack The Wise | Cliff Martinez | E Minor | 4 | 9A | 68 BPM | ||
| Kill What You Love | Tyler Bates, Joel J. Richard | G Minor | 0 | 6A | 120 BPM | ||
| The Seer | Atrium Carceri | C Major | 1 | 8B | 83 BPM | ||
| Panic Room | AfterInfinity, Evan Royalty | E Minor | 0 | 9A | 136 BPM | ||
| Furnace | Martin Stig Andersen | B Major | 3 | 1B | 111 BPM | ||
| Crime of the Century | Jason Hill | C Minor | 0 | 5A | 128 BPM | ||
| Eclat | CHLOE (Thévenin) | F♯ Major | 2 | 2B | 100 BPM | ||
| Becoming | OGRE Sound | B♭ Major | 4 | 6B | 72 BPM | ||
| Matt and Ethan | Mark Korven | G Major | 0 | 9B | 71 BPM | ||
| 1.3_2-everyrev0lution.ra | Mac Quayle | D Minor | 3 | 7A | 109 BPM | ||
| Interwoven | Atrium Carceri, Kammarheit | D♭ Minor | 1 | 12A | 124 BPM | ||
| Singapore Ambient (Part 2) | Michael McCann | B♭ Minor | 3 | 3A | 86 BPM | ||
| Security Is a Myth | Paul Haslinger | C Major | 1 | 8B | 102 BPM | ||
| Owen | Dan Romer | D Major | 2 | 10B | 79 BPM | ||
| Fagan Corners | John Paesano | A♭ Major | 0 | 4B | 136 BPM | ||
| Safehouse | Sascha Dikiciyan | F Major | 2 | 7B | 74 BPM |