Barbara Lea's ' "We Could Make Such Beautiful Music Together" was released on its scheduled release date, January 1, 1990. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. We Could Make Such Beautiful Music Together's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Barbara Lea's "Lea In Love" album is number 2 out of 12. We Could Make Such Beautiful Music Together is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of We Could Make Such Beautiful Music Together by Barbara Lea to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Looking at You | Lee Wiley | G Major | 5 | 9B | 132 BPM | ||
| No Moon at All | Barbara Lea, Charlie Fardella, Steve Pistorius, Bob Havens, Tom Fischer, Tom Saunders, Hal Smith | E♭ Major | 1 | 5B | 65 BPM | ||
| Satin Doll | Lorez Alexandria | A Minor | 2 | 8A | 121 BPM | ||
| (You're Some) Pretty Doll | Eddie Condon | G Major | 5 | 9B | 132 BPM | ||
| There's a Lull in My Life | Carroll Gibbons, The Savoy Hotel Orpheans | F Minor | 4 | 4A | 180 BPM | ||
| Wild Man Blues | Johnny Dodds | G Major | 5 | 9B | 132 BPM | ||
| I'd Know You Anywhere | Irene Kral | G Major | 4 | 9B | 75 BPM | ||
| The Song Is You | Dakota Staton | G Major | 5 | 9B | 132 BPM | ||
| When Did You Leave Heaven | Jimmy Scott | G Major | 5 | 9B | 132 BPM | ||
| Tin Roof Blues | David Hermlin | B♭ Major | 2 | 6B | 88 BPM | ||
| Lazy River | Hoagy Carmichael | C Minor | 3 | 5A | 142 BPM | ||
| Dream of you | Jimmie Lunceford & His Orchestra, Jimmie Lunceford | E Minor | 2 | 9A | 117 BPM | ||
| I Don't Want To Set The World On Fire | Susannah McCorkle | B♭ Minor | 2 | 3A | 89 BPM | ||
| Sleep Peaceful, Mr. Used-To-Be | Barbara Lea | D♭ Major | 1 | 3B | 132 BPM | ||
| I've Got the World On a String | Helen O'Connell | B♭ Minor | 2 | 3A | 134 BPM | ||
| Mountain Greenery | Kat Edmonson, Vince Giordano And The Nighthawks | E Minor | 4 | 9A | 168 BPM | ||
| We Just Couldn't Say Goodbye | Maxine Sullivan | F Major | 2 | 7B | 108 BPM | ||
| Soft Lights and Sweet Music | Barbara Lea, Loonis McGlohon, Jay Leonhart, Bill Stowe, Randy Reinhart | D Major | 3 | 10B | 111 BPM | ||
| Organ Grinder's Swing | Jimmie Lunceford | F Minor | 1 | 4A | 118 BPM | ||
| Scotch & Soda | Lou Rawls | G Minor | 4 | 6A | 109 BPM | ||
| September In The Rain | Sue Raney | C Minor | 3 | 5A | 100 BPM | ||
| Memphis In June | Irene Kral | A♭ Major | 1 | 4B | 92 BPM | ||
| Scotch and Soda | Amanda Carr | F Major | 1 | 7B | 108 BPM | ||
| Oh, Lady Be Good | Count Basie and The Kansas City 7 | G Major | 2 | 9B | 174 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM |