ニューヨーク フィルハーモニック's '動物の謝肉祭 白鳥' had a release date set for February 8, 2022. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in サン・サーンス 動物の謝肉祭 プロコフィエフ ピーターと狼, so we believe that "動物の謝肉祭 白鳥" is a single. 動物の謝肉祭 白鳥 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 動物の謝肉祭 白鳥 by ニューヨーク フィルハーモニック is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 弦楽セレナード ホ短調 作品20: 第3楽章: Allegretto | Edward Elgar, 石田泰尚, 石田組 | F Major | 3 | 7B | 116 BPM | ||
| Piano Concerto No. 4 in G Minor, Op. 40: III. Allegro vivace | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 167 BPM | ||
| Symphony No. 1, GMW 11: IIa. Kräftig bewegt, doch nicht zu schnel | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B Minor | 1 | 10A | 68 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | B♭ Minor | 3 | 3A | 114 BPM | ||
| Serenade, Op. 2: IV. Finale. Allegretto non troppo | Mieczysław Karłowicz, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 88 BPM | ||
| スーザ:ワシントン・ポスト | ニューヨーク フィルハーモニック | A Major | 6 | 11B | 111 BPM | ||
| 動物の謝肉祭より”白鳥” | ニューヨーク フィルハーモニック | B Major | 1 | 1B | 127 BPM | ||
| [The Magic Flute] Overture | Marcello Rota, Czech National Symphony Orchestra | F Major | 2 | 7B | 130 BPM | ||
| Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell – Bedeutend langsamer – Tempo primo | Anton Bruckner, Berliner Philharmoniker, Mariss Jansons | A Major | 1 | 11B | 136 BPM | ||
| Falla: Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | F Major | 4 | 7B | 135 BPM | ||
| サン=サーンス:交響曲 第3番 ハ短調 作品78 「オルガン付」 1 (Part2) Poco Adagio | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | D♭ Major | 1 | 3B | 53 BPM | ||
| Piano Concerto No. 3 in E-Flat Major, Op. 29: III. Allegro non troppo | Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit | A♭ Major | 0 | 4B | 72 BPM | ||
| Mozart: 6 German Dances, K. 509: No. 4 in F Major | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Pro Arte Orchestra | F Major | 4 | 7B | 135 BPM | ||
| Symphony No. 1 In C Minor, B. 9, "The Bells Of Zlonice": I. Allegro | Slovak Philharmonic, Antonín Dvořák | C Minor | 2 | 5A | 142 BPM | ||
| ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
| 交響曲 第 2番 ホ短調 作品27 2 Allegro Molto | Sergei Rachmaninoff, 山田和樹/仙台フィルハーモニー管弦楽団 | F Major | 1 | 7B | 92 BPM | ||
| Benvenuto Cellini, Op. 23, H 76, Act I: Ouverture | Hector Berlioz, Sir Colin Davis, London Symphony Orchestra | C Major | 2 | 8B | 63 BPM | ||
| Miške, MKČ 101: IV. Development, a tempo I | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Entr'acte to Act III | Heinrich Marschner, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 110 BPM | ||
| 交響曲 第101番「時計」~第2楽章(ハイドン) | Joseph Haydn, 若杉弘, Yomiuri Nippon Symphony Orchestra | D Major | 1 | 10B | 127 BPM | ||
| バレエ組曲「くるみ割り人形」 d. アラビアの踊り | Berliner Philharmoniker, ニューフィルハーモニア管弦楽団 | D♭ Major | 6 | 3B | 88 BPM | ||
| I. INTO THE BLUE | Yutaka Yamada | F Major | 4 | 7B | 135 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Piú mosso | Gustav Mahler, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | B♭ Major | 0 | 6B | 70 BPM | ||
| Symphony No. 1 in D Major, Op. 23: III. Menuetto. Moderato | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | A Major | 0 | 11B | 131 BPM |