Susana Rinaldi's ' "Tinta Roja" was released on its scheduled release date, December 1, 1973. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Tinta Roja's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in A Cátulo Castillo by Susana Rinaldi. In terms of popularity, Tinta Roja is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Tinta Roja by Susana Rinaldi is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Volvio Una Noche | Hugo Díaz | A Minor | 3 | 8A | 102 BPM | ||
| Pasional | Estela Raval | A Minor | 6 | 8A | 94 BPM | ||
| Carta de un Leon a Otro | Chico Novarro, Daniel Castro | E Minor | 5 | 9A | 122 BPM | ||
| Ansiedad | Soledad Villamil | E Major | 3 | 12B | 130 BPM | ||
| Los Cosos de al Lado | Luis Cardei | C Minor | 4 | 5A | 114 BPM | ||
| Mensaje Segundo - Creo amada mía | Horacio Ferrer, Susana Rinaldi | A Major | 3 | 11B | 115 BPM | ||
| Siempre Se Vuelve a Buenos Aires | Elena Roger | G Major | 5 | 9B | 111 BPM | ||
| Cuesta Abajo | Adriana Varela | D Major | 2 | 10B | 107 BPM | ||
| La Descamisada | Nelly Omar | E Minor | 4 | 9A | 96 BPM | ||
| Desde el Alma | Francisco Canaro, Nelly Omar | F Minor | 3 | 4A | 101 BPM | ||
| Sueño de Barrilete | Susana Rinaldi | F♯ Minor | 2 | 11A | 106 BPM | ||
| No Hay Que Hacerse Mala Sangre | Orquesta Francisco Canaro | D Major | 2 | 10B | 123 BPM | ||
| Garufa | Nina Miranda, Donato Racciatti y Su Orquesta Típica | D Major | 5 | 10B | 142 BPM | ||
| Los Mareados | Raúl Lavié | F Minor | 4 | 4A | 86 BPM | ||
| El Último Guapo | Alfredo Belusi | E Minor | 5 | 9A | 127 BPM | ||
| La Ultima Copa | Ada Falcón | A Minor | 2 | 8A | 72 BPM | ||
| Barreras de amor | Orquesta Roberto Firpo, Carlos Varela, Antonio Sureda, Geronimo Sureda | A Major | 3 | 11B | 150 BPM | ||
| El Último Café | Rosanna Falasca | G Major | 1 | 9B | 92 BPM | ||
| Nada | Mariana Quinteros, Anibal Berraute | C Major | 3 | 8B | 166 BPM | ||
| Madreselva | Jose Basso, Carlos Rossi | D Major | 3 | 10B | 57 BPM | ||
| Nada Más | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| Vuelvo al Sur | Juan Carlos Caceres | E Major | 2 | 12B | 81 BPM | ||
| Quinto año | Guillermo Galvé | C Minor | 3 | 5A | 116 BPM | ||
| Arrabal Amargo | Mariana Quinteros, Anibal Berraute | A Minor | 4 | 8A | 102 BPM | ||
| Pasional | Omar Mollo | D♭ Minor | 2 | 12A | 78 BPM |