Murray Gold's 'Doomsday' had a release date set for November 28, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 27 out of 31 in Doctor Who by Murray Gold. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Doomsday is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Doomsday by Murray Gold is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last of Us | Gustavo Santaolalla | E Minor | 5 | 9A | 155 BPM | ||
| Trinity | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Possession | Nicholas Hooper | D♭ Major | 1 | 3B | 76 BPM | ||
| Primeval Theme | Dominik Scherrer | D Minor | 5 | 7A | 125 BPM | ||
| 28 Days Later - Main Theme | Rhaeide | D Minor | 2 | 7A | 79 BPM | ||
| Doctor Who Theme - Gallifrey One Remix | Dominic Glynn, Syzygy | A Major | 7 | 11B | 103 BPM | ||
| THE PROTAGONIST | Ludwig Göransson | E♭ Minor | 0 | 2A | 100 BPM | ||
| Father's Day | Murray Gold | A♭ Major | 2 | 4B | 171 BPM | ||
| Dark Night - Kara | Philip Sheppard | B Minor | 6 | 10A | 140 BPM | ||
| End of the Line | Henry Jackman | E Minor | 0 | 9A | 67 BPM | ||
| TVA | Natalie Holt | D♭ Major | 5 | 3B | 108 BPM | ||
| The Last Flame | Piotr Musiał | F Minor | 2 | 4A | 70 BPM | ||
| Even for You | Alan Silvestri | A Minor | 2 | 8A | 124 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM | ||
| Not That Sort Of Bank | Henry Jackman | D Minor | 1 | 7A | 141 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| No Escape | Darren Korb | F Major | 7 | 7B | 178 BPM | ||
| Beginning of the End Movement VI | The Newton Brothers | A Minor | 1 | 8A | 73 BPM | ||
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| A Good Man | Jack Dalton | E Minor | 1 | 9A | 140 BPM | ||
| An End Once and For All - Extended Cut | Sam Hulick, Clint Mansell | E Minor | 0 | 9A | 79 BPM | ||
| The Original, You Might Say | Jack Dalton | E Minor | 1 | 9A | 140 BPM | ||
| The Night King | Ramin Djawadi | B♭ Major | 1 | 6B | 61 BPM | ||
| Swan Lake (Epic Trailer Version) | Hidden Citizens | G Major | 7 | 9B | 72 BPM | ||
| Padmé's Ruminations | John Williams, London Symphony Orchestra | D Major | 0 | 10B | 86 BPM |