Amorphous Nature's 'Welcome to the Wreckage' had a release date set for September 16, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in Apocalyptica by Amorphous Nature. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Welcome to the Wreckage's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Welcome to the Wreckage by Amorphous Nature is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maybe It's All a Dream | Amorphous Nature | A Minor | 2 | 8A | 77 BPM | ||
| Negative Space | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | B♭ Minor | 7 | 3A | 120 BPM | ||
| Wings of Justice (Operation Iran) | Abtin Zahed | C Minor | 3 | 5A | 120 BPM | ||
| Shades | Mikey O'Neil | F Major | 7 | 7B | 116 BPM | ||
| A Symphonic Perspective of Pride | Gainsworth, Schepetkov | G Minor | 4 | 6A | 61 BPM | ||
| Hammer of Inquisition (Warhammer 40k Inspired) | Adeptus Sanctum | E Minor | 3 | 9A | 81 BPM | ||
| Protean, Pt. 3: For What Is To Come | Berend Salverda | D Minor | 6 | 7A | 110 BPM | ||
| Police Chase | Jesper Kyd | A Minor | 5 | 8A | 100 BPM | ||
| Long Lost Legacy | Kings & Creatures, Brandon Lau | D Major | 8 | 10B | 90 BPM | ||
| 500 Worlds | Jared Moreno Luna | D Minor | 4 | 7A | 65 BPM | ||
| Kilonova | Charlie Ryan | F Minor | 4 | 4A | 115 BPM | ||
| Pendragon | James Paget | B♭ Minor | 7 | 3A | 111 BPM | ||
| Honor of the Fallen | Frameshift Music, Hristo Penev | E Major | 9 | 12B | 120 BPM | ||
| Divine Duel | Yohei Kuriko, MrEpicOSTs | B♭ Major | 7 | 6B | 125 BPM | ||
| Ashes of Ozem | Michael Ghelfi, Miguel Abuel | B♭ Minor | 3 | 3A | 87 BPM | ||
| Breeze | Phase Drift | B♭ Major | 6 | 6B | 82 BPM | ||
| All for One | Tristan Barton | D Minor | 4 | 7A | 81 BPM | ||
| Gates of Dawn | Gabriel Saban | D Major | 7 | 10B | 150 BPM | ||
| Battle of Shadows | Yopy Mystic | C Minor | 7 | 5A | 105 BPM | ||
| Exiled Among Monsters | Frameshift Music, Alexandre Guiraud | E Major | 9 | 12B | 120 BPM | ||
| Definitive Existence | Audiomachine, Stuart Roslyn | C Major | 6 | 8B | 120 BPM | ||
| Boundless Courage | Solaire Rythme | D Minor | 3 | 7A | 92 BPM | ||
| Drift | Trailer Rebel | E Minor | 3 | 9A | 112 BPM | ||
| Propulsion | David A. Molina | D Major | 3 | 10B | 118 BPM | ||
| Strive For Greatness | Ariel Mann | F Major | 7 | 7B | 136 BPM |