"Saint-Saëns: Le Carnaval des Animaux, R. 125: XIII. Le Cygne (Andantino grazioso)" by Camille Saint-Saëns, Nash Ensemble had its release date on July 31, 1992. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Saint-Saëns: Le Carnaval des Animaux, R. 125: XIII. Le Cygne (Andantino grazioso)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 22 in Carnival of the Animals/Septet/Piano Trio by Camille Saint-Saëns, Nash Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Saint-Saëns: Le Carnaval des Animaux, R. 125: XIII. Le Cygne (Andantino grazioso) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saint-Saëns: Le Carnaval des Animaux, R. 125: XIII. Le Cygne (Andantino grazioso) by Camille Saint-Saëns, Nash Ensemble is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saint-Saëns: Le carnaval des animaux, R 125: I. Introduction et marche royale du lion | Camille Saint-Saëns, Louis Frémaux, Brenda Lucas, John Ogdon, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
| String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | ||
| Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | F Major | 1 | 7B | 79 BPM | ||
| Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Maxim Vengerov, Ian Brown | A Major | 1 | 11B | 94 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 68 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | G Minor | 0 | 6A | 134 BPM | ||
| Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM | ||
| Salut d'amour, Op. 12 (Arr. Cello & Piano) | Edward Elgar, Lynn Harrell, Bruno Canino | D Major | 1 | 10B | 144 BPM | ||
| Trãume | Richard Wagner, Anne Akiko Meyers | A Major | 2 | 11B | 175 BPM | ||
| Mendelssohn: Songs Without Words, Book IV, Op. 53: No. 4, Adagio, MWV U114 | Felix Mendelssohn, Daniel Adni | F Major | 0 | 7B | 77 BPM | ||
| String Quartet No. 17 in F Major, Hob. III:17 "Serenade": II. Andante cantabile | Joseph Haydn, Carmina Quartet | C Major | 0 | 8B | 98 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 0 | 6B | 119 BPM | ||
| Kinderszenen (Scenes from Childhood), Op. 15: VII. Träumerei | Robert Schumann, Mikhail Kazakevich | F Major | 0 | 7B | 63 BPM | ||
| Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus) | Camille Saint-Saëns, Mischa Maisky, Lily Maisky | G Major | 1 | 9B | 87 BPM | ||
| Nocturne No. 10 in E Minor | John Field, Miceal O'Rourke | E Minor | 0 | 9A | 68 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM | ||
| Concerto for Cello in A Minor, No. 1 Op. 33: Allegretto con moto | Camille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | B♭ Major | 0 | 6B | 118 BPM | ||
| Piano Concerto No. 5 in E Flat, Op.73 'Emperor': II. Adagio un poco mosso | Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov | B Major | 0 | 1B | 132 BPM | ||
| Wiegenlied Op.41 Nr 1 | Richard Strauss, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 123 BPM | ||
| Preludes Op. 23: No. 4 in D major: Andante cantabile | Sergei Rachmaninoff, Alessio Bax | A Major | 2 | 11B | 103 BPM | ||
| Bernstein: Divertimento for Orchestra: II. Waltz | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 72 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
| Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Moura Lympany | G Major | 0 | 9B | 61 BPM | ||
| The Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Fenella Gill, Michael Brimer, Paul Rickard-Ford | G Major | 0 | 9B | 169 BPM |