Bill Bellamy's ' "Storming the Capital" was released on its scheduled release date, June 17, 2022. For a fairly short song, this song is "Storming the Capital" is considered an explicit song with a duration of 1:50. The track order of this song in Bill Bellamy's "I Want My Life Back" album is number 4 out of 20. Storming the Capital is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Storming the Capital by Bill Bellamy to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red Lobster IS Fancy | Brooks Wheelan | D♭ Minor | 7 | 12A | 72 BPM | ||
| A Bigger Red Flag | Matt Rife | A Major | 8 | 11B | 58 BPM | ||
| Travel Ball Blues | Chris Porter | C Major | 8 | 8B | 55 BPM | ||
| Airport Questions | Kevin James | F♯ Major | 9 | 2B | 168 BPM | ||
| Fights | Ali Siddiq | G Major | 6 | 9B | 92 BPM | ||
| We Comin' | Aries Spears | G Minor | 5 | 6A | 121 BPM | ||
| Why You Came Here | Ryan Stout | A Minor | 8 | 8A | 68 BPM | ||
| Getting Pulled Over | National Lampoon, Bert Kreischer | A♭ Major | 3 | 4B | 138 BPM | ||
| The Black Dad | Bill Bellamy | G Minor | 10 | 6A | 110 BPM | ||
| An Excerpt in Real Time | Doug Stanhope | F♯ Major | 7 | 2B | 109 BPM | ||
| Smart Phones | Jay Pharoah | D Minor | 6 | 7A | 92 BPM | ||
| Labor | Steve Treviño | E♭ Major | 6 | 5B | 83 BPM | ||
| Strut Mounting Bolt | Kyle Kinane | B Major | 5 | 1B | 82 BPM | ||
| The Hand Was Made for Sneezing | Orny Adams | E Minor | 9 | 9A | 84 BPM | ||
| Black Superheroes (Bonus Track) | Clayton English | F♯ Major | 7 | 2B | 108 BPM | ||
| Almighty | Bruce Bruce | F♯ Minor | 6 | 11A | 93 BPM | ||
| Hot Nuns | Ian Bagg | E Minor | 9 | 9A | 72 BPM | ||
| Fart Hooker | Dave Weasel | F♯ Minor | 5 | 11A | 95 BPM | ||
| First Date | Bill Bellamy | F Major | 5 | 7B | 83 BPM | ||
| A Good Black Leader | Ian Edwards | F♯ Minor | 6 | 11A | 99 BPM | ||
| Caught Looking | Bill Bellamy | E♭ Minor | 6 | 2A | 83 BPM | ||
| Dating Etiquette, Pt. 1 | Louis Katz | D♭ Major | 7 | 3B | 69 BPM | ||
| Gun Violence in Australia | Kurt Braunohler | F♯ Major | 5 | 2B | 145 BPM | ||
| The Fights | Steve Treviño | B♭ Minor | 7 | 3A | 117 BPM | ||
| Nigg-er | Artie Lange | D Major | 9 | 10B | 86 BPM |