"In C: Part 09" by Terry Riley, Blindman Kwartet, Ictus had its release date on February 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Terry Riley, Ictus, Blindman Kwartet's "In C" album is number 9 out of 13. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, In C: Part 09's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In C: Part 09 by Terry Riley, Blindman Kwartet, Ictus to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clear Communication | Amber Dawn Hilton | E♭ Major | 5 | 5B | 107 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Anakreon | Masayoshi Fujita | A♭ Minor | 0 | 1A | 82 BPM | ||
| Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| 1/2 | Brian Eno, Robert Wyatt, Rhett Davies, Bang On A Can All-Stars | F Minor | 2 | 4A | 78 BPM | ||
| Cells 22-27 | Terry Riley, Brooklyn Raga Massive | D Major | 8 | 10B | 119 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Deep Hockets | Pauline Oliveros, David Gamper, Stuart Dempster, Deep Listening Band | D Minor | 1 | 7A | 90 BPM | ||
| Ho Renomo | Cluster, Brian Eno | D Major | 2 | 10B | 114 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Wholesome Us | Anica Popovic | C Major | 0 | 8B | 114 BPM | ||
| Somnoptera | Valgeir Sigurðsson, Liam Byrne, Ólafur Björn Ólafsson, James McVinnie | C Major | 0 | 8B | 114 BPM | ||
| Everyone Alive Wants Answers | Colleen | F♯ Minor | 8 | 11A | 108 BPM | ||
| Go Through My Crystal Flesh | SOULMEATPATTERN | C Major | 0 | 8B | 114 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Filigree | John Surman | G Minor | 1 | 6A | 149 BPM | ||
| Raga Bihag Alap | Terry Riley, Brooklyn Raga Massive | C Major | 1 | 8B | 87 BPM | ||
| Dream Song | Erik Friedlander | C Major | 0 | 8B | 144 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Travellers 1, 2, 3 | Meredith Monk | F Major | 1 | 7B | 131 BPM | ||
| The Sinking of the Titanic: 10. Last Hymn | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 0 | 3B | 70 BPM |