"Fantasia on a Theme by Thomas Tallis" by Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic had its release date on 1964. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Romantic Favorites for Strings (Expanded Edition)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Fantasia on a Theme by Thomas Tallis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia on a Theme by Thomas Tallis by Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
| Sergio Leone Suite: Main Theme from "Once Upon a Time in the West" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | D Major | 1 | 10B | 76 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
| Berceuse in D Flat Major, Op. 57 | Frédéric Chopin, Hélène Grimaud | D♭ Major | 1 | 3B | 95 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 68 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
| Symphonic Suite (From the Film "On The Waterfront"): Andante (with dignity) - Presto barbaro Presto barbaro | Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 143 BPM | ||
| Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
| The Firebird Suite (1919 Version): The Princesses' Round - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B Major | 1 | 1B | 65 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
| The Firebird Suite (1919 Version): VII. Finale | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 73 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 85 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen, Yefim Bronfman, Thomas Stevens, Los Angeles Philharmonic | G Minor | 1 | 6A | 137 BPM | ||
| Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
| Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": II. (b) Maestoso - Allegro | Camille Saint-Saëns, Matthias Eisenberg, Orchestre Du Capitole De Toulouse, Michel Plasson | C Major | 4 | 8B | 98 BPM | ||
| Peer Gynt Suite No. 1, Op.46: I. Morning Mood | Edvard Grieg, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 97 BPM | ||
| Violin Concerto No. 1: II. Crotchet = c. 108 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | C Minor | 0 | 5A | 86 BPM | ||
| Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
| Piano Concerto No. 2 in F, Op. 102: II. Andante | Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra | C Minor | 0 | 5A | 166 BPM | ||
| Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | E Minor | 2 | 9A | 67 BPM |