George Butterworth, Roderick Williams, Iain Burnside's '11 Folk Songs from Sussex: No. 6, The cuckoo' had a release date set for July 27, 2010. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 11 Folk Songs from Sussex: No. 6, The cuckoo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 25 in English Song Series, Vol. 20: Butterworth by George Butterworth, Roderick Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 11 Folk Songs from Sussex: No. 6, The cuckoo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 11 Folk Songs from Sussex: No. 6, The cuckoo by George Butterworth, Roderick Williams, Iain Burnside is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. for Cello & Piano) | Gabriel Fauré, Andreas Brantelid, Bengt Forsberg | E Major | 0 | 12B | 95 BPM | ||
| Enigma Variations: Ysobel | London Philharmonic Orchestra | C Major | 0 | 8B | 105 BPM | ||
| Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene | Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 93 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Julian Lloyd Webber | F Major | 1 | 7B | 86 BPM | ||
| Symphony No. 2 in A Minor, Op. 55: II. Adagio | Camille Saint-Saëns, Orchestre de la Suisse Romande, Marek Janowski | E Minor | 1 | 9A | 135 BPM | ||
| III. Allegro molto | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 78 BPM | ||
| Suite from The Victorian Kitchen Garden: II. Spring | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 75 BPM | ||
| 4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | G Minor | 3 | 6A | 133 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| The Mausoleum at Halicarnassus - From "Seven Wonders" Suite | Stuart Mitchell, Czech National Symphony Orchestra, Paul Bateman | B Minor | 0 | 10A | 75 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
| A Cotswold Hill Tune | Charles Wilfrid Orr, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 81 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | D Major | 1 | 10B | 88 BPM | ||
| Enigma Variations: Nimrod | London Philharmonic Orchestra | E♭ Major | 1 | 5B | 68 BPM | ||
| 2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| I. Allegro scherzando | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 78 BPM | ||
| Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | C Minor | 1 | 5A | 132 BPM | ||
| An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM |