"Enigma Variations: Ysobel" by London Philharmonic Orchestra had its release date on 1998. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 20 in Elgar: Enigma Variations by Paul Daniel. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Enigma Variations: Ysobel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Ysobel by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | B♭ Minor | 2 | 3A | 172 BPM | ||
| The Firebird: Round Dance of the Princesses | Igor Stravinsky, Adelaide Symphony Orchestra, Ron Spigelman | B Major | 0 | 1B | 133 BPM | ||
| Romeo & Juliet: Scene I, Introduction | Sergei Prokofiev, Valery Gergiev, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
| Enigma Variations: Ysobel | London Philharmonic Orchestra | C Major | 0 | 8B | 105 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| The Golden Age Suite, Op. 22a: Adagio | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | E♭ Major | 0 | 5B | 86 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Serenade for Strings | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 89 BPM | ||
| Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM | ||
| Piano Concerto No. 3 in E Minor, Op. 60, "Ballade": I. Con moto largamento | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | A Minor | 1 | 8A | 134 BPM | ||
| Hamlet: In the Garden - Music from the Film | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: III. Jeu du rapt | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 5 | 5A | 177 BPM | ||
| Shylock, Op. 57: V. Nocturne | Gabriel Fauré, Lynda Russell, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 108 BPM | ||
| Dvořák: From the Bohemian Forest, Op. 68: No. 5, Silent Woods, B. 182 (Version for Cello and Orchestra) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 125 BPM | ||
| Pictures at an Exhibition: II. Il vecchio castello | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 86 BPM | ||
| Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 132 BPM | ||
| Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 71 BPM | ||
| Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | G Minor | 1 | 6A | 105 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
| Introit in F Major, Op. 6 | Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 85 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, London Philharmonic Orchestra, Zdeněk Mácal | D♭ Major | 0 | 3B | 78 BPM |