"Gawain, Act I (1994 Revised Version): Tableau IIIa. Summer. Day [Live]" by Harrison Birtwistle, Royal Opera Chorus, Orchestra Of The Royal Opera House, Elgar Howarth had its release date on August 5, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 25 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): Tableau IIIa. Summer. Day [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gawain, Act I (1994 Revised Version): Tableau IIIa. Summer. Day [Live] by Harrison Birtwistle, Royal Opera Chorus, Orchestra Of The Royal Opera House, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Variations for Orchestra, Op. 31: Thema | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| Vidimus Stellam: IV. Surge Illuminare | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Me and 4 Ponys: I. Mechanical | Laurence Osborn, 12 Ensemble, Siwan Rhys | D♭ Minor | 0 | 12A | 82 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | D♭ Minor | 0 | 12A | 82 BPM | ||
| The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | ||
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
| Mythes, Trois Poèmes, Op. 30: 1. La fontaine d'Arethuse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A♭ Minor | 0 | 1A | 74 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Chasing Sunlight: IV. Exhausted - Live | Mark David Boden, Fenella Humphreys, Sinfonia Cymru, Haim Choi | D Minor | 1 | 7A | 109 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | D♭ Minor | 0 | 12A | 82 BPM | ||
| the little match girl passion: lights were shining | David Lang, Theatre Of Voices, Paul Hillier | E♭ Major | 1 | 5B | 92 BPM | ||
| Tragoedia: Episodion: Strophe I - Anapaest I | Harrison Birtwistle, Ensemble Intercontemporain, Pierre Boulez | D Major | 0 | 10B | 177 BPM | ||
| Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D♭ Minor | 0 | 12A | 82 BPM | ||
| The Mask of Orpheus, Act I Scene 1: First Ceremony | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | D Minor | 3 | 7A | 120 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Melencolia I: V. — | Harrison Birtwistle, Antony Pay, Helen Tunstall, London Sinfonietta, Oliver Knussen | A♭ Major | 0 | 4B | 75 BPM | ||
| Sad Song | Harrison Birtwistle, Nicolas Hodges, Claire Edwardes | D♭ Minor | 0 | 12A | 82 BPM | ||
| The shadow of my sorrow | Errollyn Wallen, Ruby Hughes, Jonas Nordberg | D♭ Minor | 0 | 12A | 82 BPM |