Kishore Kumar's ' "Purano Sei Diner Kotha" was released on its scheduled release date, January 1, 1939. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Purano Sei Diner Kotha only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Purano Sei Diner Kotha is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purano Sei Diner Kotha by Kishore Kumar having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haowa Megh Saraye Phul Jharaye | Kishore Kumar | D♭ Major | 6 | 3B | 125 BPM | ||
| Agar Tum Na Hote - Male Version | R. D. Burman, Kishore Kumar | F Minor | 7 | 4A | 125 BPM | ||
| Aaha Tomar Shonge | Sourendro-Soumyojit | A Major | 3 | 11B | 83 BPM | ||
| Tomar Sathe Akla Hote Chie | Parama Banarjee | A Minor | 2 | 8A | 128 BPM | ||
| Amar Moner Koner | Subhamita | B♭ Major | 4 | 6B | 144 BPM | ||
| Kolahol To Baron Holo | Durnibar | G Minor | 3 | 6A | 75 BPM | ||
| Nayan Sarasi Keno Bhoreche Jaale | Kishore Kumar | E Minor | 2 | 9A | 98 BPM | ||
| Bolo Na Radhika | Monali Thakur | A Major | 4 | 11B | 90 BPM | ||
| O Tota Pakhi Re | Nirmala Mishra, Prabir Mazumder | F♯ Major | 3 | 2B | 120 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Sadher Lau Banaila More Bairagi | Runa Laila | G Major | 5 | 9B | 63 BPM | ||
| Bohe Nirantara | Sourendro-Soumyojit | C Major | 1 | 8B | 104 BPM | ||
| Tumi Kon Kananer Phul | Srikanta Acharya | F Major | 4 | 7B | 75 BPM | ||
| Kajal Nadir Jale | Tarun Banerjee | C Minor | 4 | 5A | 86 BPM | ||
| Tomar Sure Sur Bendhechhi | Kumar Sanu | G Major | 6 | 9B | 79 BPM | ||
| Naam Harano | Srikanta Acharya | F♯ Major | 6 | 2B | 156 BPM | ||
| Paye Pari Baghmama | Anup Ghoshal | A♭ Major | 3 | 4B | 97 BPM | ||
| Sagorer Teer Theke | Shahnaz Rahmatullah | F♯ Major | 5 | 2B | 128 BPM | ||
| Se To Elo Na | Kishore Kumar, R. D. Burman | A Major | 3 | 11B | 95 BPM | ||
| Bishwabeenarabe | Supratik Das | C Major | 2 | 8B | 132 BPM | ||
| Shono Shono Sujan Amar | Subhamita | D Major | 5 | 10B | 89 BPM | ||
| Purano Sei Diner Kotha | Kishore Kumar | G Major | 4 | 9B | 81 BPM | ||
| Ak Hariye Jawa Bondhu | Shayan | D Major | 3 | 10B | 120 BPM | ||
| Ei Path Jodi Na Shes Hoy | Hemanta Mukherjee, Sandhya Mukherjee | D♭ Major | 3 | 3B | 132 BPM | ||
| Laje Ranga Holo Kone Bou Go | Aarti Mukherji | F Major | 3 | 7B | 172 BPM |