"Nearer My God to Thee (Version from "Titanic”) - Live" by Lowell Mason, André Rieu, Johann Strauss Orchestra had its release date on April 11, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Power of Love (Live in Maastricht 2024)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Nearer My God to Thee (Version from "Titanic”) - Live's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nearer My God to Thee (Version from "Titanic”) - Live by Lowell Mason, André Rieu, Johann Strauss Orchestra having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hallelujah | HAUSER | D Major | 2 | 10B | 89 BPM | ||
| Nearer My God To Thee | Traditional, The International Staff Band Of The Salvation Army, Dr Stephen Cobb | G Major | 1 | 9B | 83 BPM | ||
| Joy to the World | Lowell Mason, Isaac Watts, Cantillation, Brett Weymark | D Major | 2 | 10B | 169 BPM | ||
| Zadok the Priest - Coronation Anthem for George II, HWV 258 | George Frideric Handel, The Tabernacle Choir at Temple Square, Eugene Ormandy, Philadelphia Orchestra | D♭ Major | 7 | 3B | 112 BPM | ||
| Second Waltz | Dmitri Shostakovich, André Rieu | C Minor | 4 | 5A | 94 BPM | ||
| Bist du einsam heut' Nacht | Lou Handman, Ray Turk, André Rieu | G Major | 3 | 9B | 163 BPM | ||
| Pomp And Circumstance March No. 1 | Edward Elgar, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| I Believe | Andrea Bocelli, Katherine Jenkins | D Major | 3 | 10B | 88 BPM | ||
| We Are Not Alone, God Is With Us (feat. Rex Putnam High School a- Choir) | Mark J | A Major | 2 | 11B | 100 BPM | ||
| How Great Thou Art | The Choir Of St Mary's | E♭ Major | 2 | 5B | 112 BPM | ||
| Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Choral. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft" | Johann Sebastian Bach, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | G Major | 1 | 9B | 94 BPM | ||
| Amazing Grace - Live | Traditional, André Rieu, Johann Strauss Orchestra | E♭ Major | 5 | 5B | 71 BPM | ||
| Ecce Homo (Theme from Mr Bean) | Howard Goodall, The Enchanted Voices, Howard Goodall Chamber Orchestra | C Major | 2 | 8B | 68 BPM | ||
| An der schönen blauen Donau, Walzer, Op. 314 | Johann Strauss II, Franz Welser-Möst, Wiener Philharmoniker | F♯ Major | 1 | 2B | 115 BPM | ||
| Panis Angelicus | César Franck, Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | A Major | 1 | 11B | 77 BPM | ||
| Torna a Surriento | Ernesto de Curtis, André Rieu, Johann Strauss Orchestra | D Major | 2 | 10B | 129 BPM | ||
| The Prayer | Céline Dion, Andrea Bocelli | B♭ Major | 3 | 6B | 82 BPM | ||
| Messiah, HWV 56: No. 44. Chorus: Hallelujah (Chorus) | George Frideric Handel, Eileen Farrell, Martha Lipton, William Warfield, The Tabernacle Choir at Temple Square, Eugene Ormandy, Philadelphia Orchestra, Gilbert Johnson | D Major | 3 | 10B | 100 BPM | ||
| O Holy Night | Adolphe Adam, Malakai Bayoh, Schola Cantorum of The Cardinal Vaughan Memorial School, Scott Price, Belgravia Chamber Orchestra | E♭ Major | 2 | 5B | 67 BPM | ||
| What a Wonderful World | George David Weiss, George Douglas, André Rieu, Johann Strauss Orchestra | F Major | 3 | 7B | 149 BPM | ||
| O Come All Ye Faithful | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | B♭ Major | 4 | 6B | 142 BPM | ||
| Oh What a Beautiful Morning | Richard Rodgers, Douglas Ellen Sisemore, Lisa Moorish, André Rieu | F Major | 5 | 7B | 86 BPM | ||
| Ave Maria - Instrumental | The Eden Symphony Orchestra | B♭ Major | 2 | 6B | 174 BPM | ||
| The Holy City - ARV_11 | Stephen Adams, André Rieu, The Platin Tenors, The Royal Choir Society Mastreechter Staar | B Major | 3 | 1B | 100 BPM | ||
| Silent Night (Arr. Sir John Rutter) | Franz Xaver Gruber, Daniel Hyde, Choir of King's College, Cambridge, Britten Sinfonia | G Major | 2 | 9B | 84 BPM |